Next to Wilhelm Lehmbruck, Auguste Rodin was among the sculptors that Joseph Beuys, up to his death in 1986, most highly prized. Beuys became aware of the great sculptor as early as 1950 when he read the monograph by Rainer Maria Rilke on Rodin's work, which provided him with crucial aesthetic impulses. Beuys' early drawings show thematic and conceptual connections to Rodin's watercolors and drawings. For instance, both artists refer back to ancient mythology, e.g., in their female figures, which they paint on paper in coats of glaze. But also the lines of tradition that Auguste Rodin passed on by way of Wilhelm Lehmbruck were taken up by Beuys, such as his interest in the artistic possibilities of the torso.
The complex relation to the work of Auguste Rodin can be followed in the book's comprehensive section showing works by Rodin, Lehmbruck and Beuys.
"synopsis" may belong to another edition of this title.
From 1947 - 1964 Joseph Beuys produced a large number of works on paper that echo the late drawings and watercolours of Auguste Rodin and the sculptural work of Wilhelm Lehmbruck. Although Beuys' sculptural work is very different from these artists, he took up themes that both Rodin and Lehmbruck used including the idea of the torso as an autonomous, enclosed form and the fragment as the simplest and most elementary embodiment of immutability. By using the fragment, Rodin had attempted to link his own work with that of the ancients. Beuys followed Rodin's example and the work of Lehmbruck and with the introduction of political and social elements expanded the vocabulary of sculpture.
"About this title" may belong to another edition of this title.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M3937572341Z3
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 368 pages, in English and German; very good condition, light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra. Seller Inventory # RoKoSc50
Seller: Antiquariat Bernd Preßler, Ahnatal Weimar, Germany
Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Englische Broschur. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations. Seller Inventory # 244544
Seller: medimops, Berlin, Germany
Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Seller Inventory # M03937572341-V
Seller: ANTIQUARIAT Franke BRUDDENBOOKS, Lübeck, Germany
4°, Leinen. Condition: Gut. 1. Auflage. 367 S., Gebundenes Buch mit Original-Schutzumschlag. Umschlag mit leichten Lagerspuren, innen sauber und gut erhalten ISBN: 9783937572345 Aufgrund neuer EU Verpackungsgesetze können wir zurzeit nicht in EU Länder außer Deutschland liefern, Lieferungen an Grenz Packstationen oder Grenzpaket Anbieter ist weiterhin möglich. Auch Lieferungen in alle Länder außer der EU und Russland sind weiterhin möglich. Due to new EU packaging regulations, we are currently unable to ship to EU countries other than Germany; however, deliveries to border-located parcel lockers or cross-border parcel services remain possible. Shipments to all countries outside the EU and Russia also remain possible. Sprache: Deutsch Gewicht in Gramm: 2000. Seller Inventory # 649514
Seller: Antiquariat & Verlag Jenior, Kassel, HE, Germany
367 Seiten, kartoniert, mit zahlreichen s/w und fbg. Abbildungen, sehr gut erhalten. Sprache: deu. Seller Inventory # KUN50815
Seller: Stefan Schuelke Fine Books, Köln, NRW, Germany
Softcover. Künstler: Rodin, Auguste ; Beuys, Joseph . Herausgeber: Kort, Pamela ; Hollein, Max ; Schirn Kunsthalle Frankfurt . Datum: 2005. 368 Seiten mit zahlr., meist farb. Abb. Deutsch . 4to., Quartformat. OKlappkarton. Diese Publikation erscheint anlaesslich der Ausstellung "Rodin Beuys" in der Schirn Kunsthalle Frankfurt, 9. September - 27.November 2005. gutes bis sehr gutes Exemplar. 3-937572-34-1. Seller Inventory # 11325
Seller: Antiquariat Im Baldreit, Baden-Baden, Germany
4°, weiße illustrierte OBrosch. Mit zahlreichen Illustationen, 367 Seiten, Schönes Exemplar Sprache: Deutsch Gewicht in Gramm: 2250. Seller Inventory # 52908
Seller: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germany
1. Auflage. 30 x 23 cm. 367 S. OLeinen mit OUmschlag. Kleiner Einriss am oberen Steg des Umschlages sauber hinterlegt, sonst sehr gutes Exemplar. Erschienen anlässlich der Ausstellung "Rodin Beuys" in der Schirn-Kunsthalle Frankfurt, 9. September - 27. November 2005. Texte in Deutsch und Englisch. Durchgehend mit Abbildungen versehen. Selten funktionierte eine Gegenüberstellung zweier nach außen hin scheinbar höchst unterschiedlicher Künstlerpersönlichkeiten so gut wie hier. Gebundene Buchhandelsausgabe. Seller Inventory # 57225AB
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condition: VG+/VG+. Golden yellow cloth boards with gray lettering, white dust jacket with bw illustrations and white lettering on front, white spine with black lettering, bw frontispiece, 367 pp, profusely illustrated throughout in bw and color. Text in German and English. "Next to Wilhelm Lehmbruck, Auguste Rodin was among the sculptors that Joseph Beuys, up to his death in 1986, most highly prized. Beuys became aware of the great sculptor as early as 1950 when he read the monograph by Rainer Maria Rilke on Rodin's work, which provided him with crucial aesthetic impulses. Beuys' early drawings show thematic and conceptual connections to Rodin's watercolors and drawings. For instance, both artists refer back to ancient mythology, e.g., in their female figures, which they paint on paper in coats of glaze. But also the lines of tradition that Auguste Rodin passed on by way of Wilhelm Lehmbruck were taken up by Beuys, such as his interest in the artistic possibilities of the torso." "The complex relation to the work of Auguste Rodin can be followed in the book's comprehensive section showing works by Rodin, Lehmbruck and Beuys."--Jacket. Contents include: Plates I : Rodin 1878-1900 : Beuys 1946-1953 -- Rodin -- Lehmbruck -- Beuys / Pamela Kort -- Plates II : Lehmbruck 1910-1918 -- Antiapotheoses : Rodin's "Assemblage with the heads of the Burghers of Calais" from the perspective of the young Beuys / Claude Keisch -- Plates III : Rodin 1896-1900 -- Beuys and Rodin : La Faunesse, audicious images of women, and "everyone is an artist" / J. Adolf Schmoll gen. Eisenwerth -- Plates IV : Beuys 1953-1956 -- Why do some of the women Joseph Beuys depicts show their genitalia so prominently? / Dieter Koepplin -- Plates V : Beuys 1956-1957 : photographs Rodin 1893-1904 -- Photography in the dissemination of Rodin's works to the press and in exhibitions / Helene Pinet -- Plates VI : Rodin 1901-1910 : Beuys 1958-1985 -- Auguste Rodin : a chronology of his reception in Germany 1930-1950 / Josephine Gabler. Seller Inventory # 178604