By repeatedly re-photographing her images, transferring them from video to film and back again, and manipulating them digitally, Michal Rovner creates photographic and video imagery that abstract familiar subjects like houses, animals, and people into ambiguous and iconic forms. Working with representation but against the traditions of narrative and documentary purpose, her artworks imply a tentative universe, one that is paradoxically peaceful and unsettled, vivid and shrouded, and completely counter-factual. If the changing nature of art has resulted in a general blurring of boundaries--between painting and photography, reality and memory, presence and absence--Rovner mines this haziness, refuses to respect borders, and exists completely in The Space Between.
"synopsis" may belong to another edition of this title.
Rovner's work states many of the issues and questions about the changing nature of art, and about boundaries that have become increasingly blurred: boundaries between painting and photography, between reality and memory, presence and absence. Using the latest in technology - but still in a profound search into the mark, the sign, and always on the edge - Rovner's work refashions the photographic and video text. "While recording, I am interested in removing identifying details. Instead of bringing up what signifies or separates this from that, I am in search of a common denominator beyond specific identity, specific time, specific place."
"About this title" may belong to another edition of this title.
Seller: Don's Book Store, Albuquerque, NM, U.S.A.
Hardcover. Condition: Good. Book has bright boards that are suffering from a bit of curling outward. American Art Photography By repeatedly re-photographing her images, transferring them from video to film and back again, and manipulating them digitally, Michal Rovner creates photographic and video imagery that abstract familiar subjects like houses, animals, and people into ambiguous and iconic forms. Working with representation but against the traditions of narrative and documentary purpose, her artworks imply a tentative universe, one that is paradoxically peaceful and unsettled, vivid and shrouded, and completely counter-factual. If the changing nature of art has resulted in a general blurring of boundaries--between painting and photography, reality and memory, presence and absence--Rovner mines this haziness, refuses to respect borders, and exists completely in The Space Between. Seller Inventory # 024781
Seller: Goodwill of Greater Milwaukee and Chicago, Racine, WI, U.S.A.
Condition: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy. Seller Inventory # SEWV.3882438282.A
Seller: Design Books, New York, NY, U.S.A.
Hard Cover. Condition: Fine. This is a fine hardcover copy of the first, and probably only printing, with virtually no wear. Completely clean, no marks to red flexible covers or text. No dust jacket as issued. This catalog was prepared to accompany the exhibition at the Whitney Museum from July 11 to October 13, 2002. Edited by Sylvia Wolf. Essay by Michael Rush. Conversation between Michal Rovner and Leon Golub. Illustrated in black & white and color. 11" high X 10" wide, 256 pages. A beautiful copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Seller Inventory # 014810
Seller: Black Cat Books, Shelter Island, NY, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Hardbound, no dust jacket. Seller Inventory # 90254
Seller: Outer Print, Richmond, VA, U.S.A.
Hardcover. Condition: Near Fine. 1st Edition. Near Fine oversized hardcover in flexible boards. First Edition, First Printing. Illustrated throughout. Overall a bright and attractive copy, as new. Seller Inventory # 002377
Seller: Browsing Is Arousing, Middlebury, VT, U.S.A.
Condition: Very Good. Flexible boards, 264 pages. B/w and color illustrations throughout. Published to accompany exhibition at Whitney Museum of American Art in New York. Super clean. By repeatedly re-photographing her images, transferring them from video to film and back again, and manipulating them digitally, Michal Rovner creates photographic and video imagery that abstract familiar subjects like houses, animals, and people into ambiguous and iconic forms. Working with representation but against the traditions of narrative and documentary purpose, her artworks imply a tentative universe, one that is paradoxically peaceful and unsettled, vivid and shrouded, and completely counter-factual. If the changing nature of art has resulted in a general blurring of boundaries--between painting and photography, reality and memory, presence and absence--Rovner mines this haziness, refuses to respect borders, and exists completely in The Space Between. Record # 30149. Seller Inventory # 30149
Seller: Andre Strong Bookseller, Blue Hill, ME, U.S.A.
Hardcover. Condition: Very good +. 10 x 11 in. Semi-rigid cloth boards. Condition is VERY GOOD+ ; covers very clean, minor bumping to corners. Binding tight, text spotless. Artr. Stax. Seller Inventory # 55595
Seller: Andre Strong Bookseller, Blue Hill, ME, U.S.A.
Hardcover. Condition: Very Good. First edition. 9 x 11 in. Semi-rigid covers. Lavish color and B&W plates. Condition is VERY GOOD ; like new but one corner is crushed with a bow, text also somewhat affected. Binding tight and text spotless. Art. Stax. Seller Inventory # 19411
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Red cloth printed flex-binding. 288 pp., profusely illustrated. The Israeli-born visual artist's compelling image studies - by turns abstract, calligraphic, painterly, and filmic - confront nature, armed conflict,and the solitary individual. Her point of departure is never obvious, which places the viewer's arrival at a space of destination into more or less the same problematic. In addition to all the visual material, the book hosts thetranscript of a remarkable conversation between Rovner and artist Leon Golub. Published on the occasion of the exhibition at the Whitney Museum of American Art, New York, July 11-October 13, 2002. VG- (scattered instances of light white & black speckled staining to front board edge. indentation to upper board edge near spine. upper corner bumped w/ rubbing & curling to corners. spine lightly sunned. curl front board. textblock edges foxed w/ light remnants to pg edgs. pgs lightly toned.). Seller Inventory # 102440
Seller: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condition: Very good. No jacket. Catalog published on the occasion of the exhibition "Michal Rovner: The Space Between" at the Whitney Museum of American Art, New York, from July 11 to October 13, 2002. Cover corners are lightly worn. Pages are clean and unmarked. Seller Inventory # 2045887