Like many of her colleagues, Inge Morath carried one camera loaded with black-and-white film and another loaded with color. Possibly influenced by the legendary hostility of Henri Cartier-Bresson (her mentor) to color photography, Morath's own ambivalence is reflected in the contradiction between the sheer volume of color film that she exposed during her lifetime and its complete absence from her exhibited and published works. Following Morath's death in 2002, more than 10,000 hitherto unknown and uncataloged color originals were recovered from storage in Paris, where Morath had been based from 1954 until 1962. As this volume demonstrates, Morath's color vision matured around 1958, while documenting the Danube River; by the late 1960s and during the 1970s, when she worked extensively in Russia and China, Morath's color production would at times exceed her work in black and white, and several projects done late in her life were made exclusively in color.
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Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-C-071-02445
Quantity: 1 available
Seller: medimops, Berlin, Germany
Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Seller Inventory # M03865219306-G
Seller: medimops, Berlin, Germany
Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Seller Inventory # M03865219306-V
Seller: Studio Bibliografico Marini, ROMA, RM, Italy
hardcover. Condition: As New. Prima edizione (First Edition). Un testo di Mary Panzer. Fotografie a colori di Inge Morath. Postfazione di John P. Jacob . Cm 24,5x20. pp. 204. . Perfetto (Mint). . Prima edizione (First Edition). . Inge Morath fu senza dubbio influenzata dalla leggendaria ostilità del suo collega Henri Cartier-Bresson per la fotografia a colori. L'ambivalenza della Morath stessa si riflette nella contraddizione tra la grande quantità di pellicole a colori stampate e la loro assenza dalle sue opere esposte e pubblicate. La sua visione del colore, già forte nelle fotografie degli accampamenti dei zigani in Irlanda nel 1954, maturò alla fine degli anni '50, durante la sua documentazione del Medio Oriente, nel 1956, e della Romania, dove lavorò nel 1958. Dagli anni '60 in poi, Morath impiegò il colore come elemento centrale nelle sue narrazioni documentarie. Colmando una significativa lacuna nel suo lavoro precedentemente pubblicato, First Color è un esame del primo decennio di lavoro a colori di Morath, ed è tratto in gran parte da materiale postumo. Book. Seller Inventory # bc_226711
Seller: Mispah books, Redhill, SURRE, United Kingdom
Hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book. Seller Inventory # ERICA82938652193064
Quantity: 1 available
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germany
Condition: gut. Inge Morath - First color In deutscher Sprache. pages. Seller Inventory # BN88031