Items related to Saul Leiter: Early Color

Saul Leiter: Early Color - Hardcover

Leiter, Saul; Harrison, Martin

 
9783865211392: Saul Leiter: Early Color

Synopsis

This is a reprint of the immensely successful Early Color (2006), which presented Leiter’s remarkable body of colour work to the public for the first time in book form. Although Edward Steichen had exhibited some of Leiter’s colour photography at the Museum of Modern Art in 1953, it remained virtually unknown to the world thereafter. Leiter moved to New York in 1946 to become a painter, yet through his friendship with Richard Pousette-Dart he quickly recognized the creative potential of photography. Leiter continued to paint, exhibiting with Philip Guston and Willem de Kooning, but the camera remained his ever-present means of recording life in the metropolis. None of Leiter’s contemporaries, with the partial exception of Helen Levitt, assembled a comparable body of work: subtle, often abstract compositions of lyrical, eloquent colour.

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About the Author

Born in 1935 in Cincinnati, Ohio, Jim Dine completed a Bachelor of Fine Arts at Ohio University in 1957 and has since become one of the most profound and prolific contemporary artists. Dine’s unparalleled career spans 60 years, and his work is held in numerous private and public collections. His books with Steidl include Pinocchio (2006), Hot Dream (52 Books) (2008), A Printmaker’s Document (2013) and Paris Reconnaissance (2018).

From the Back Cover

This is a reprint of the immensely successful Early Color (2008), which presented Leiters remarkable body of colour work to the public for the first time in book form. Although Edward Steichen had exhibited some of Leiters colour photography at the Museum of Modern Art in 1953, it remained virtually unknown to the world thereafter. Leiter moved to New York in 1946 to become a painter, yet through his friendship with Richard Pousette-Dart he quickly recognized the creative potential of photography. Leiter continued to paint, exhibiting with Philip Guston and Willem de Kooning, but the camera remained his ever-present means of recording life in the metropolis. None of Leiters contemporaries, with the partial exception of Helen Levitt, assembled a comparable body of work: subtle, often abstract compositions of lyrical, eloquent colour.

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