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Synopsis
The process of reviving and recreating Baroque dance and music has for a long time been imbued with compromises. In dance, the challenge of bringing to life a language of movement codified into several steps and enigmatic floor patterns is often based on suppositions rather than on research. Equally in music, the lack of information by practitioners and scholars regarding the character, tempi, style and technique required in the performance of dance music often leads to unsatisfying results. This book intends to help revert this scenario, providing historical evidence of the connection between music, dance and rhetoric. It establishes, through the cross- reference of primary sources and analyses of original music and choreographic notation, a sub- genre of French theatrical dances structured according to a logical oratorical frame. From this, it identifies the function of certain figures in the light of oratory and rhetoric. These findings elucidate unexplored aspects of the performance practice of Baroque works, providing tools for choreographers, musicians, musicologists and scholars interested in an historically informed performance.
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About the Author
ARAM, PhD, Diploma RAM, Cert GSMD, BMus; undertook research at the University of Hull and at the Royal Academy of Music London. Ricardo Barros leads an international career as Baroque dancer, choreographer, harpsichordist, stage director & designer and independent academic. He is the artistic director of Mercurius Company in London.
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Dance as a Discourse
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The process of reviving and recreating Baroque dance and music has for a long time been imbued with compromises. In dance, the challenge of bringing to life a language of movement codified into several steps and enigmatic floor patterns is often based on suppositions rather than on research. Equally in music, the lack of information by practitioners and scholars regarding the character, tempi, style and technique required in the performance of dance music often leads to unsatisfying results. This book intends to help revert this scenario, providing historical evidence of the connection between music, dance and rhetoric. It establishes, through the cross- reference of primary sources and analyses of original music and choreographic notation, a sub- genre of French theatrical dances structured according to a logical oratorical frame. From this, it identifies the function of certain figures in the light of oratory and rhetoric. These findings elucidate unexplored aspects of the performance practice of Baroque works, providing tools for choreographers, musicians, musicologists and scholars interested in an historically informed performance. 308 pp. Englisch. Seller Inventory # 9783843369480
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Dance as a Discourse
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Barros RicardoARAM, PhD, Diploma RAM, Cert GSMD, BMus undertook research at the University of Hull and at the Royal Academy of Music London. Ricardo Barros leads an international career as Baroque dancer, choreographer, harpsicho. Seller Inventory # 5466872
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Dance as a Discourse : The rhetorical expression of the passions in French Baroque dance
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The process of reviving and recreating Baroque dance and music has for a long time been imbued with compromises. In dance, the challenge of bringing to life a language of movement codified into several steps and enigmatic floor patterns is often based on suppositions rather than on research. Equally in music, the lack of information by practitioners and scholars regarding the character, tempi, style and technique required in the performance of dance music often leads to unsatisfying results. This book intends to help revert this scenario, providing historical evidence of the connection between music, dance and rhetoric. It establishes, through the cross- reference of primary sources and analyses of original music and choreographic notation, a sub- genre of French theatrical dances structured according to a logical oratorical frame. From this, it identifies the function of certain figures in the light of oratory and rhetoric. These findings elucidate unexplored aspects of the performance practice of Baroque works, providing tools for choreographers, musicians, musicologists and scholars interested in an historically informed performance. Seller Inventory # 9783843369480
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Dance as a Discourse | The rhetorical expression of the passions in French Baroque dance
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Taschenbuch. Condition: Neu. Dance as a Discourse | The rhetorical expression of the passions in French Baroque dance | Ricardo Barros | Taschenbuch | 308 S. | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783843369480 | Verantwortliche Person für die EU: OmniScriptum GmbH & Co. KG, Bahnhofstr. 28, 66111 Saarbrücken, info[at]akademikerverlag[dot]de | Anbieter: preigu. Seller Inventory # 107227561
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Dance as a Discourse
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Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The process of reviving and recreating Baroque dance and music has for a long time been imbued with compromises. In dance, the challenge of bringing to life a language of movement codified into several steps and enigmatic floor patterns is often based on suppositions rather than on research. Equally in music, the lack of information by practitioners and scholars regarding the character, tempi, style and technique required in the performance of dance music often leads to unsatisfying results. This book intends to help revert this scenario, providing historical evidence of the connection between music, dance and rhetoric. It establishes, through the cross- reference of primary sources and analyses of original music and choreographic notation, a sub- genre of French theatrical dances structured according to a logical oratorical frame. From this, it identifies the function of certain figures in the light of oratory and rhetoric. These findings elucidate unexplored aspects of the performance practice of Baroque works, providing tools for choreographers, musicians, musicologists and scholars interested in an historically informed performance.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 308 pp. Englisch. Seller Inventory # 9783843369480