Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.
"synopsis" may belong to another edition of this title.
Daniel Becker is a member of the International Doctoral Program MIMESIS at the Ludwig-Maximilians-University Munich. Annalisa Fischer is a member of the International Doctoral Program MIMESIS at the Ludwig-Maximilians-University Munich. Yola Schmitz is a member of the International Doctoral Program MIMESIS at the Ludwig-Maximilians-University Munich. Simone Niehoff is a member of the International Doctoral Program MIMESIS at the Ludwig-Maximilians-University Munich. Florencia Sannders is a member of the International Doctoral Program MIMESIS at the Ludwig-Maximilians-University Munich.
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Seller: Steven Moore Bookseller, Ann Arbor, MI, U.S.A.
Soft cover. Condition: As New. 1st Edition. Thirteen essays, ranging from medieval period to modern literature (Borges, Gaddis). Like new, not ex-library, not POD. Seller Inventory # ABE-1699888931010
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Paperback. Condition: new. Paperback. Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation. Forgeries are an omnipresent part of our culture. The contributions focus on such different implementations such as faked traditions, imposters, identity theft and hoaxes in different contexts. They scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783837637625
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation. Seller Inventory # LU-9783837637625
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GZ-9783837637625
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