<p>Mark Ryden has us on edge. His vocabulary, at once cryptic and cute, refined and cliché blurs the boundaries between high and low art as much as it does between childish innocence and profound unease. </p><p>Ryden first garnered attention in the 1990s when he ushered in a new genre of painting, “Pop Surrealism,” trumping the initial surrealist strategies by choosing subject matter loaded with cultural connotation.This cultural kitsch is rendered in infinitely detailed and meticulously glazed surfaces, the precision itself evoking a subtle disquiet as much as the constant suspicion of something slightly awry in all the sugar-sweet pastel shades, fairytale landscapes, fluffy creatures, and wide-eyed girl-childs.</p><p>In the major retrospective Pinxit, whose title refers to the Latin term “painted by,” we survey almost two decades of this strange, beautiful, unheimlich world. Through the themes of the artist’s major exhibitions, including The Meat Show, Bunnies & Bees, The Tree Show, we present his most compelling canvases as well as expert essays by Yoshitomo Nara, Carlo McCormick, and Kristine McKenna.</p>
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Mark Ryden received a BFA in 1987 from Art Center College of Design in Pasadena. His paintings have been exhibited in museums and galleries worldwide, including a retrospective Wondertoonel at the Frye Museum of Art in Seattle and Pasadena Museum of California Art, and in the exhibition The Artist’s Museum at the Museum of Contemporary Art in Los Angeles. He currently lives and works in Los Angeles.
Mark Ryden received a BFA in 1987 from Art Center College of Design in Pasadena. His paintings have been exhibited in museums and galleries worldwide, including a retrospective Wondertoonel at the Frye Museum of Art in Seattle and Pasadena Museum of California Art, and in the exhibition The Artist’s Museum at the Museum of Contemporary Art in Los Angeles. He currently lives and works in Los Angeles.
Fuzzy bunnies, big-eyed girls, meat, magic, and mystery
Mark Ryden's carnival of curiosities
Pinxit, whose title refers to the Latin term meaning "painted by," is organized by the themes of Ryden’s major exhibitions―The Meat Show, Bunnies & Bees, The Tree Show, and so on―and includes collected essays by Yoshitomo Nara, Carlo McCormick, and others, and a new essay by culture critic Kristine McKenna. This sweeping retrospective brings together nearly two decade’s worth of Mark Ryden’s paintings and works on paper, broadening the horizons of his uncanny universe and bringing it to the world, one page at a time.
Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism," dragging a host of followers in his wake. He has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation.
Ryden’s vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden’s world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. Complex in its arcane and idiosyncratic subject matter, Ryden’s work can leave no viewer unmoved.
First published in TASCHEN’s limited edition series―now available in this unlimited popular edition!
The artist: Mark Ryden received a BFA in 1987 from Art Center College of Design in Pasadena. His paintings have been exhibited in museums and galleries worldwide, including a retrospective Wondertoonel at the Frye Museum of Art in Seattle and Pasadena Museum of California Art, and in the exhibition The Artist’s Museum at the Museum of Contemporary Art in Los Angeles. He currently lives and works in Los Angeles.
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Seller: Blue Skye Books, Novato, CA, U.S.A.
Hardcover. Condition: Very Good. 1st American edition. NYC: Taschen, 2013. 1st USA edition, VG/. Published without dust jacket (?0. Tall, oversize book has wear, smudges, couple of small scrapes, and general wear. Spine ends and corners are fine. Former owner must have mishandled the book with dirty fingers. Interior is fine. Over 250 illustrations (mostly in color) with a few fold-outs and double-page spreads. Sections include: Artist's statement, intro, Works (old and new) The Meat Show, Bunnies and Bees, The Blood Show, The Tree Show, The Snow Yak, The Gay 90's and appendix (Finding Ryden). Heavy text,360 pp. BP. Seller Inventory # 008151
Seller: Widney Manor Books, Solihull, MIDLA, United Kingdom
Hardcover. Condition: Very Good. Book is in very good condition. 360pp with colour photographs. Seller Inventory # 016866
Quantity: 2 available
Seller: BookAddiction (IOBA, IBooknet), Canterbury, United Kingdom
Hardcover. Condition: Very Good. 360pp, fully illustrated in colour. Quarter bound in pink cloth under pink paper-covered boards; gilt titles on front and spine; patterned endpapers. Folio. Some soiling to boards. Internally neat, clean, bright and tight. Seller Inventory # 034719
Quantity: 1 available
Seller: Books on the Boulevard, Sherman Oaks, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Boards show light shelfwear, light soiling. Binding tight and straight, inner pages clean and unmarked.; 11.5 X 1.75 X 15 inches; 359 pages. Seller Inventory # 66865
Seller: Chamblin Bookmine, Jacksonville, FL, U.S.A.
Hardcover. Folio. Condition: Very Good. Signed collector's edition. This signed edition has boards quarter bound in pink cloth and white paper with trivial handling wear. Front board has pink shadowing present. 'Signed' sticker on lower edge of front board. Edges are straight and corners are creased. Raised gold lettering on front board. Spine has golden lettering with straight edges. Text block is square. Binding is intact. 359p. Pink end pages are clean. You can find Ryden's signature in black ink on title page next to stamp mark dated December 23, 2013. Interior is otherwise unmarked with thick pages filled with amazing colored illustrations. Several fold out illustrations also included through out. Seller Inventory # 116663
Seller: Bibliomonster Books, Rancho Cucamonga, CA, U.S.A.
hardcover. Condition: New. Seller Inventory # WJ-DF5Q-IKYU