Synopsis
The study is based on a multidisciplinary approach from the perspective of science, religion and art. Biblical and scientific approaches - namely computistics and astronomy - are juxtaposed. By contrasting pictorial representations, written interpretations and historical facts, it becomes convincingly clear how strongly scientific representations and biblical iconography have influenced each other. Medieval scribes and illuminators did not separate these two genres. In the course of recent research, the work shows that Isidore of Seville, Beda Venerabilis or Alcuin were extremely important mediators of ancient cosmological knowledge for the modern world and that Christian authors have made lasting and still relevant contributions in the scientific field. One of these fields is computistics, originally the calculation of the exact date of Easter, in a broader sense the calculation of time. The spiritual nature of medieval science is extremely valuable for the comparison of science and art against the background of the main messages of the Christian faith. This work is the first to systematically describe the significance of the so-called Schematisms for the interpretation of medieval art, beginning in the Carolingian period and spanning a period of 300 years. Previously unknown illuminations are included in the analysis. The work convincingly illustrates the close interweaving of iconography - formed by schematic representations - and eschatology.
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About the Author
Bianca Kuhnel ist Jack Cotton Professorin fur Architektur und Kunstgeschichte an der Hebrew University in Jerusalem. Ihr Forschungsschwerpunkt liegt im judisch-christlichen Zusammenhang mittelalterlicher Ikonographie und in Kunst und Architektur des Heiligen Landes. Die Publikation, die in englischer Sprache erscheint, wird von der Alexander von Humboldt-Stiftung gefordert.
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End of Time in the Order of Things
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Schnell & Steiner, 2003
ISBN 10: 3795415055
ISBN 13: 9783795415051
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The End of Time in the Order of Things (Hardcover)
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Schnell & Steiner GmbH, Verlag, 2003
ISBN 10: 3795415055
ISBN 13: 9783795415051
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Hardcover. Condition: new. Hardcover. The study is based on a multidisciplinary approach from the perspective of science, religion and art. Biblical and scientific approaches - namely computistics and astronomy - are juxtaposed. By contrasting pictorial representations, written interpretations and historical facts, it becomes convincingly clear how strongly scientific representations and biblical iconography have influenced each other. Medieval scribes and illuminators did not separate these two genres.In the course of recent research, the work shows that Isidore of Seville, Beda Venerabilis or Alcuin were extremely important mediators of ancient cosmological knowledge for the modern world and that Christian authors have made lasting and still relevant contributions in the scientific field. One of these fields is computistics, originally the calculation of the exact date of Easter, in a broader sense the calculation of time.The spiritual nature of medieval science is extremely valuable for the comparison of science and art against the background of the main messages of the Christian faith. This work is the first to systematically describe the significance of the so-called Schematisms for the interpretation of medieval art, beginning in the Carolingian period and spanning a period of 300 years. Previously unknown illuminations are included in the analysis. The work convincingly illustrates the close interweaving of iconography - formed by schematic representations - and eschatology. Time and its end are among the fundamental questions of humanity. The fascinating but also terrifying anticipation of the end has repeatedly caused people to try to determine the time of its arrival. This volume pioneers the analysis of apocalyptic expectations in medieval Europe between 800 and 1000. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783795415051
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The End of Time in the Order of Things: Science and Eschatology in Early Medieval Art
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End Of Time In The Order Of Things
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ISBN 10: 3795415055
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The End of Time in the Order of Things. Science and Eschatology in Early Medieval Art.
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Regensburg: Schnell und Steiner, 2002
ISBN 10: 3795415055
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Condition: Wie neu. 384 S. Tadelloses Exemplar. / Immaculate copy. - Inhalt: A Carolingian Repertory of Maiestas Domini Representations: The Stuttgart Psalter -- Christ's Clipeus Carried by Angels: The Heavenly Vision -- The Figure Eight Mandorla: Christ at the Centre of the World -- Christ Seated on a Globe: The Judge -- The Five-Medallion Majesty: A Carolingian Invention -- Antecendents of the Five-Circles Majesty -- The Amiatinus -- Monumental Art-Pagan and Jewish -- Early Christian Art -- The Differences: Tradition and Innovation -- The Catalyst: Cross Frontispieces -- The Eschatological Question -- Computistics and Astronomy in Early Medieval Europe -- State of the Question: The Five-circles Diagram -- The Quincunx Diagram at the Turn of the Millennium -- The Beginnings -- The Christian Beginnings -- Isidore of Seville -- The Venerable Bede -- The Carolingian Contribution -- The Aix-la-Chapelle Encyclopedia: a Carolingian Synthesis -- Artes liberales and Carolingian Education -- Illuminated Science - Illuminated Faith: Carolingian Diagrams -- Rotae computisticae -- Liber rotarum -- The Cross - Early Christian Precedents -- Cross and Diagram -- Stars, Winds, and Crosses -- Variations on the Isidorian rota -- The Rationalization of the Universe: Bible and Diagram -- Extended Concordance -- Beginning and End: Creation and Eschatology -- Adam and Christ -- Creator and Christ: In principio creavit Dominus -- In principio erat Verbum -- Creation rotae -- Centred Time -- Apocalyptic rotae -- Carolingian Apocalypse Illumination -- The Beatus Tradition -- Anticipated Future and Eternal Presence: Maiestas Domini -- The Quincunx Pattern -- Circle and Square, Mandorla and Rhombus: Carolingian Majesties -- The Rhombus: Ottoman Episodes -- The Ottoman Maiestas Domini -- Cologne -- Trier -- Conclusion: Science and Eschatology. - Die Zeit und ihr Ende gehört zu den grundlegenden Fragen der Menschheit. Das gilt besonders für jene Religionen und Kulturen, die an ein Leben nach dem Tode glauben. Die faszinierende, aber auch erschreckende Erwartung des Endes hat immer wieder Anlass gegeben, den Zeitpunkt seines Kommens zu bestimmen. Dieser Band leistet Pionierarbeit bei der Analyse der apokalyptischen Erwartungen im mittelalterlichen Europa zwischen 800 und 1000. Die Arbeit zeigt im Zuge der jüngeren Forschung, dass Isidor von Sevilla, Beda Venerabilis oder Alcuin überaus wichtige Vermittler des antiken kosmologischen Wissens für die moderne Welt waren und dass christliche Autoren nachhaltige und bis heute relevante Beiträge auf wissenschaftlichem Gebiet geleistet haben. Eines dieser Gebiete ist die Komputistik, ursprünglich die Berechnung des exakten Ostertermins, im weiteren Sinne die Berechnung der Zeit. Die spirituelle Prägung mittelalterlicher Wissenschaft ist außerordentlich fruchtbar für den Vergleich von Wissenschaft und Kunst auf dem Hintergrund der Hauptaussagen des christlichen Glaubens. Dieses Arbeit beschreibt erstmals systematisch die Bedeutung der sog. Schematismen für die Interpretation mittelalterlicher Kunst, beginnend in der karolingischen Periode und einen Zeitraum von 300 Jahren umspannend. Bislang unbekannte Illuminationen werden in die Analyse einbezogen. Die Arbeit verdeutlicht überzeugend die enge Verflochtenheit von Ikonographie - geformt von schematischen Darstellungen - und Eschatologie. ISBN 3795415055 Sprache: Englisch Gewicht in Gramm: 1100 Gebundene Ausgabe mit Schutzumschlag. Seller Inventory # 931684
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The End of Time in the Order of Things: Science and Eschatology in Early Medieval Art
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