Numerous accounts of the RAF and the German Autumn in 1977 have been chronicled over the past forty years, from journalistic, historical, literary, cinematic, and artistic perspectives. Arwed Messmer begins with the various photographs made by police photographers at the time―pictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed artistically. His narrative strikes an arc from the beginnings of the movement to the multiple eruptions of violence in 1977, the abduction and murder of Hanns-Martin Schleyer, and the suicides of Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe in Stammheim Prison. Messmer’s work therefore also has an ethical dimension: which photographs can be shown, how can they be shown, and why do we want to see them? This investigation touches a key point in the debate on images that are on the one hand historical documents, and on the other hand embodiments of their own aesthetic with powerful potential for an empathetic examination of history.
"synopsis" may belong to another edition of this title.
Numerous accounts of the RAF and the German Autumn in 1977 have been chronicled over the past forty years, from journalistic, historical, literary, cinematic, and artistic perspectives. Arwed Messmer begins with the various photographs made by police photographers at the time―pictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed artistically. His narrative strikes an arc from the beginnings of the movement to the multiple eruptions of violence in 1977, the abduction and murder of Hanns-Martin Schleyer, and the suicides of Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe in Stammheim Prison. Messmer’s work therefore also has an ethical dimension: which photographs can be shown, how can they be shown, and why do we want to see them? This investigation touches a key point in the debate on images that are on the one hand historical documents, and on the other hand embodiments of their own aesthetic
with powerful potential for an empathetic examination of history
"About this title" may belong to another edition of this title.
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264 pages, illustrated. Fine paperback exhibition catalog in decorative wrappers (soft cover book)/ no dust jacket. In original shrinkwrap. Seller Inventory # 2020162
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Broschur. Condition: Befriedigend. 113 Seiten ; 33 cm + 1 Appendix (48 Seiten) Mit dem Appendix.- Grossformat.- Kanten berieben / bestossen, Einrisse, Knicke, angegilbt /// Standort Wimregal SOL-20.881 ISBN 9783775743464 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 987. Seller Inventory # 358168
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Condition: gut. 2017. RAF - No evidence = RAF - Kein Beweis. Arwed Messmer In deutscher Sprache. pages. Seller Inventory # BN656453