With this publication, Keith Coventry (*1958, Burnley, Great Britain) presents an overview of his oeuvre from its beginnings in the early 1990s to the present day, shedding light on his exploration of the legacy of modernism and post-modernism. In his series Junk Paintings (2012), for example, a new visual vocabulary containing elements of the famous McDonald’s logo shifts into focus, blending with Minimalism and Pop Art. In the white Pure Junk Paintings (2015/16) he continues his work with these formal elements, but using new materials: wood, muslin, beeswax, glass, and gesso lend the paintings a sculptural presence. The same is true of the series Golden Arches (2016), for which parts of the McDonald’s logo were cast in bronze and heavily gold plated, contrasting a cheap, mass produced commodity with materials representing permanence, craft, and value. In Coventry’s art the consumer world and mass production encounter an aesthetic characterized by beauty and timelessness.
"synopsis" may belong to another edition of this title.
Michael Bracewell is the author of many books, including England is Mine. He is a regular contributor to Frieze and The Burlington Magazine.
Consumer critique in gold. Overview of the British artist's focus on modernism and postmodernism over the past three decades.
With this publication, Keith Coventry (*1958, Burnley, Great Britain) presents an overview of his oeuvre from its beginnings in the early 1990s to the present day, shedding light on his exploration of the legacy of modernism and post-modernism. In his series Junk Paintings (2012), for example, a new visual vocabulary containing elements of the famous McDonald's logo shifts into focus, blending with Minimalism and Pop Art. In the white Pure Junk Paintings (2015/16) he continues his work with these formal elements, but using new materials: wood, muslin, beeswax, glass, and gesso lend the paintings a sculptural presence. The same is true of the series Golden Arches (2016), for which parts of the McDonald's logo were cast in bronze and heavily gold plated, contrasting a cheap, mass produced commodity with materials representing permanence, craft, and value. In Coventry's art the consumer world and mass production encounter an aesthetic characterized by beauty and timelessness.
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Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. Seller Inventory # M377574293XZ2
Seller: SKULIMA Wiss. Versandbuchhandlung, Westhofen, Germany
Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/minor shelfwear. Edited by Keith Coventry and Elliot McDonald, Pace Gallery. Introduction: Norman Rosenthal. Main texts: Michael Bracewell and Diedrich Diederichsen. Additional texts: Nick Zangwill, Iwona Blazwick and Andrew Hibbard. Keith Coventry präsentiert mit dieser Publikation eine Übersicht seines ?uvres von den Anfängen in den frühen 1990er-Jahren bis zur Gegenwart und veranschaulicht seine Auseinandersetzung mit dem Erbe der Moderne und der Postmoderne. 254 Seiten mit zahlreichen Abb., Großformat, Leinen (Hatje Cantz 2018). Früher EUR 58,00. Gewicht: 1826 g - Gebunden/Gebundene Ausgabe. Seller Inventory # 200258
Seller: Rotes Antiquariat, Berlin, Germany
256 S. 4°, Orig.-Leinenbd. m. Folienumschlag. Einleitung Norman Rosenthal. - Sehr gut erhaltenenes Expl. 2000 gr. Seller Inventory # KNE36419
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germany
Condition: gut. 2018. Keith Coventry. In deutscher Sprache. pages. Seller Inventory # BN500340