Sean Scully (* 1945 in Dublin) is considered one of the most significant abstract painters of our time. For decades he has produced a wealth of variations on his core theme of lines and stripes, creating works with a fascinating range of tone and expression from the romantic to the melancholic. Early on in his career Scully did figural work, to which he still feels indebted; “To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world.” He considers German Expressionism one of his sources of inspiration and specifically cites the influence of artists André Derain, Henri Matisse, Karl Schmidt-Rottluff, and Ernst Ludwig Kirchner. The stroke of the brush is a visible component of his painterly abstractions. The edges of his fields of color are delineated by hand, which lends his compositions a haptic quality. Presenting surprising new perspectives on the artist’s work, this publication is the first study on the interplay between figuration and abstraction in Scully’s oeuvre. Ausstellungen/Exhibitions: Ludwig Museum im Deutschherrenhaus Koblenz 31.8.–16.11.2014 | Kunsthalle Rostock | Crawford Art Gallery, Cork
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Sean Scully was born in Dublin in 1945. He grew up in London and works in New York and Barcelona. He has exhibited widely in Europe and the United States: including exhibitions at the Kunstammlung Nordeim Westfalen in Dusseldoerf, Germany, (2001); the Metropolitan Museum of Art, New York (2000); the Milwaukee Art Museum, Denver Art Museum, and Albright-Knox Gallery (1998–99); Galeria Arte Moderna,Villa delle Rose in Bologna, and Galerie National de Jeu de Paumme in Paris (1996). His work may be found in museum collections worldwide, such as the Guggenheim Museum in New York;The Art Institute of Chicago; Corcoran Gallery in Washington D.C.; Centro de Arte Reina Sofia in Madrid, Spain;Tate Gallery in London, England;The Irish Museum of Modern Art in Dublin, Ireland; and Nagoya City Art Museum, Japan.
Sean Scully (* 1945 in Dublin) is considered one of the most significant abstract painters of our time. For decades he has produced a wealth of variations on his core theme of lines and stripes, creating works with a fascinating range of tone and expression from the romantic to the melancholic. Early on in his career Scully did figural work, to which he still feels indebted; To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world. He considers German Expressionism one of his sources of inspiration and specifically cites the influence of artists André Derain, Henri Matisse, Karl Schmidt-Rottluff, and Ernst Ludwig Kirchner. The stroke of the brush is a visible component of his painterly abstractions. The edges of his fields of color are delineated by hand, which lends his compositions a haptic quality. Presenting surprising new perspectives on the artist s work, this publication is the first study on the interplay between figuration and abstraction in Scully s oeuvre.
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Cloth. Condition: Good. 200 pages 180 illustration most in color. A few minor bumps to the corners with minor soiling to the paper boards. A bump to the head of the spine. Illustrated boards. Text is in English and German. Published on the occasion of the exhibition from the Ludwig Museum im Deutschherrenhaus, Koblenz August 31- November 16, 2014. Select Biography. Book. Seller Inventory # 026897
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Hardcover. pink pictorial & white boards w/ black printing. 194 pgs w/ primarily color illustrations. ".Early in his career Scully made figurative work to which he still feels indebted: "To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world." He considers German Expressionism an important source of inspiration and cites the influence of such artists as André Derain, Henri Matisse, Karl Schmidt-Rottluff and Ernst Ludwig Kirchner. Presenting surprising new perspectives on the artist's work, this publication is the first to study the interplay between figuration and abstraction in Scully's oeuvre."--Amazon. VG (bump to spine top. lower front corner has small bump & crease; light rubbing to corners. back board has indentation to upper & lower edge.). Seller Inventory # 195574
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Hardcover. Condition: Gut. 194 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. M10069 9783775739009 Sprache: Englisch Gewicht in Gramm: 1450. Seller Inventory # 2542744
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Erste Auflage. 30 x 24 cm. 194 S. Illustrierter OPappband. Bleistiftanstreichungen im Text, sonst sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogbuch zur gleichnamigen Ausstellung des britischen Künstlers im Ludwig Museum im Deutschherrenhaus, Koblenz, 31. August bis zum 16. November 2014; in der Kunsthalle Rostock, vom 1. März bis zum 26. April 2015 und in der Crawford Art Gallery, Cork, vom 26. Juni bis zum 12. September 2015. Sprache: Deutsch und Englisch. Seller Inventory # 3289EB
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4°, gebundene Ausgabe; 194 Seiten; Das Buch ist in einem sehr guten Zustand. 9783775739009 Sprache: Englisch Gewicht in Gramm: 1372. Seller Inventory # 93892