In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel’s lead character. He found it to be perfectly “ordinary”, “brief”, “Anglo-Saxon” and “masculine”. This co-opting of names was the first replacement in a series of substitutions that would become central to the construction of the Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon (*1975 in New York) inventoried women, weapons and vehicles in Bond. The contents of these categories function as essential accessories to the narrative’s myth of the seductive, powerful, and invincible western male. In Birds of the West Indies, Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.Exhibition schedule: 2013 Carnegie International, Pittsburgh October 5, 2013–March 16, 2014
"synopsis" may belong to another edition of this title.
In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel’s lead character. He found it to be perfectly “ordinary”, “brief”, “Anglo-Saxon” and “masculine”. This co-opting of names was the first replacement in a series of substitutions that would become central to the construction of the Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon (*1975 in New York) inventoried women, weapons and vehicles in Bond. The contents of these categories function as essential accessories to the narrative’s myth of the seductive, powerful, and invincible western male. In Birds of the West Indies, Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.
"About this title" may belong to another edition of this title.
Seller: medimops, Berlin, Germany
Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Seller Inventory # M03775736638-G
Seller: artbook-service, Berlin, Germany
Gebunden. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -1936 veröffentlichte der Ornithologe James Bond Birds of the West Indies, die ultimative Studie zur Vogelwelt der Karibik. Ian Fleming, der zeitweilig in Jamaika lebte und selbst Vögel beobachtete, übernahm den Namen für den Titelhelden seiner Spionageromane, da er ihm »alltäglich«, »kurz«, »angelsächsisch« und »maskulin« erschien. Fleming nahm damit die erste in einer langen Kette von Tauschhandlungen vor, die zentral für die Struktur der Bond-Geschichten werden sollten.Taryn Simon (\*1975 in New York) durchforschte die James-Bond-Filme und erstellte einen genauen Bestandskatalog aller Frauen, Waffen und Fahrzeuge, die neben dem berühmten Agenten doch immer präsent sind. Mit ihrem Birds of the West Indies präsentiert die Künstlerin eine visuelle Datenbank austauschbarer »Ersatzteile«, in denen sich diese Männerfantasie manifestiert, und untersucht den ökonomischen und emotionalen Wert, der durch ihren variablen Einsatz generiert wird.Ausstellung: 2013 Carnegie International, Pittsburgh 5.10.2013 16.3.2014 440 pp. Englisch. Seller Inventory # 7070594
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Very Good. Ostfildern: Hatje Cantz, 2013. 4to. 439pp. Illus. Near Fine book. Very Good dust jacket. Dust jacket has minor bump at back joint tail. Inquire if you need further information. Seller Inventory # MA09A-06146
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket and plastic overwrap, 440 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # TaSiHa40
Seller: Karl Theis, Torrance, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A LIKE NEW UNMARKED BOOK IN A MYLAR PROTECTED DUST JACKET. Seller Inventory # 049166
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: Used - Very Good. Dust Jacket Condition: Very Good. In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled 'Birds of the West Indies.' Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel's lead character. This co-opting of names was the first in a series of substitutions that would become central to the construction of the James Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon inventoried women, weapons and vehicles, constant elements in the films between 1962 and 2012. The contents of these categories function as essential accessories to the narrative's myth of the seductive, powerful and invincible western male. Maintaining the illusion the narrative relies upon--an ageless Bond, state-of-the-art weaponry, herculean vehicles and desirable women--requires constant replacements, and a contract exists between Bond and the viewer, which binds the narrative to that set of expectations. Continually satisfying those obligations allowed Bond to become a ubiquitous brand, a signifier to be activated with each subsequent novel and film. In 'Birds of the West Indies,' Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.Taryn Simon was born in New York in 1975. She is a graduate of Brown University and a Guggenheim Fellow. Her photographs and writing have been the subject of solo exhibitions at institutions including The Museum of Modern Art, New York (2012), Museum of Contemporary Art, Los Angeles (2012); Tate Modern, London (2011); Neue Nationalgalerie, Berlin (2011); Whitney Museum of American Art, New York (2007) and P.S.1 Contemporary Art Center, New York (2003). In 2011 her work was included in the 54th Venice Biennale. Light rubbing on outer, clear acetate dust jacket; otherwise, very nice, clean, tight copy free of any marks. Seller Inventory # 299268
Seller: Louis Tinner Books, Rotterdam, ZH, Netherlands
2013, Hardcover with dustjacket and mylar cover, fine copy , Hardcover with dustjacket and mylar cover, fine copy , Hardcover with dustjacket and mylar cover, fine copy. Seller Inventory # 32243
Quantity: 1 available
Seller: Antiquariat Bernd Preßler, Ahnatal Weimar, Germany
Ohne Stempel, keine An-und Unterstreichungen, frischer, sehr guter Zustand. Hardcover. Original Leinenband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations. Seller Inventory # 240752
Seller: Leonardu, Benz, Germany
4 ° (quart), linen ribbon. Condition: Gut. ONLY AS A PACKAGE DUE TO THE WEIGHT (= currently ¤ 4.50 postage). Abroad = 16 ¤! 440 pages, 195 photos, text in English, color cut, illustrated cover, dust jacket, still originally sealed, In 1936, an American ornithologist namens James Bond published the definitive taxonomy Birds of the West Indies. Ian Fleming, an active bird-watcher living in Jamaica, appropriated the name for his novels lead character. This co-opting of a name was the first in a series of substitutions and replacements that would become central to the construction of the Bond narrative. Artist Taeyn Simons Birds of the West Indies takes the name and format of the original Bonds taxonomy to present a photograhic inventory of women, weapons, and vehicles - recurring elements in the James Bond films between 1962 and 2012. This visual database of interchangeable variables used in the produvtion of fantasy examines the economic and emotional value generated by their repetition. Sprache: Deutsch Gewicht in Gramm: 2560. Seller Inventory # 74208
Seller: Klaus Kuhn Antiquariat Leseflügel, Köln, NRW, Germany
1. Auflage,. 195 Abb., 440 Seiten, Sprache: Englisch; Zustand: erstklassiges, neuwertiges Exemplar. Noch in Original-Verlagsfolie eingeschweißt. Sprache: Deutsch Gewicht in Gramm: 2250 29,0 x 19,0 cm, gebundene Ausgabe, Leinen mit Original-Schutzumschlag. Seller Inventory # 41516