In her photographs that refer to Dante Alighieri’s La Divina Commedia Claudia Rogge (*1968 in Düsseldorf) unfolds a kind of imagistic theater whose aesthetic opulence astonishes viewers, while countless nude figures cast their spell over them. The large tableaux in her new cycle, EverAfter, recall the cohesive compositions of Christian paintings, such as the famous murals in the Sistine Chapel, yet they are assembled from a variety of disparate visual elements. The realistic effect of these digital collages exceeds that of painting and is immediate, sometimes disturbingly so. The configuration of a mass―images of nude bodies, in this case―has long been an overarching subject of the artist’s work. Picking up on the central theme of “mass” and the exorbitant distance between heaven and hell, this publication presents Rogge’s latest work, which recovers a measure of beauty in the midst of horror. Exhibition schedule: Museo Madre, Museum for Contemporary Art, Naples | Galleria Franz Paludetto, Rome | Galleria Franz Paludetto, Turin | Arte Fiera, Bologna January 27-30, 2012 | Arco Madrid, February 15-19, 2012 | Art Cologne, April 18 22, 2012 | Art Brussels, April 19-22, 2012 | Art 43 Basel, June 13-17, 2012
"synopsis" may belong to another edition of this title.
Inferno, purgatory, paradise - photographic "frescoes" à la Michelangelo.
In her photographs that refer to Dante Alighieri's La Divina Commedia Claudia Rogge (*1968 in Düsseldorf) unfolds a kind of imagistic theater whose aesthetic opulence astonishes viewers, while countless nude figures cast their spell over them. The large tableaux in her new cycle, EverAfter, recall the cohesive compositions of Christian paintings, such as the famous murals in the Sistine Chapel, yet they are assembled from a variety of disparate visual elements. The realistic effect of these digital collages exceeds that of painting and is immediate, sometimes disturbingly so. The configuration of a mass-images of nude bodies, in this case-has long been an overarching subject of the artist's work. Picking up on the central theme of "mass" and the exorbitant distance between heaven and hell, this publication presents Rogge's latest work, which recovers a measure of beauty in the midst of horror.
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Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M3775733035Z3
Seller: Outer Print, Richmond, VA, U.S.A.
Hardcover. Condition: Fine. 1st Edition. Fine hardcover in illustrated boards. Clean and bright, as new. Text in English and German. Color plates. 112 pp. Seller Inventory # 005887
Seller: Antiquariat & Verlag Jenior, Kassel, HE, Germany
110 S. Hardcover. 4°. Mehrsprachig: deutsch, italienisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu. Seller Inventory # FOT57620
Seller: Antiquariat Bernd Preßler, Ahnatal Weimar, Germany
Ohne Stempel, keine An- und Unterstreichungen, sehr guter frischer Zustand. Hardcover. Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations. Seller Inventory # 241047
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Color-photo-illustrated boards with grey lettering; 110 pp.; richly illustrated in color. The large tableaux in Claudia Rogge's new series EverAfter correspond to passages in Dante's Divine Comedy. Recalling classic religious art with their complex but cohesive compositions, the scenes take one from hell to purgatory and into heaven, acted out by masses of nude bodies stitched together digitally into elaborate collages. -- WorldCat. VG (Ex art library with sticker on the spine and on rear pastedown; boards are lightly edgeworn/bumped.). Seller Inventory # 201074
Seller: Dan Pope Books, West Hartford, CT, U.S.A.
Hardcover. Condition: New. 1st Edition. First edition. Hardbound. NEW, still in original shrinwrap. Fine, issued without dust jacket. A tight, clean copy, unread. NOT price-clipped. Comes with archival-quality mylar dust jacket protector. Shipped in well padded box. Octavo. You cannot find a better copy. Seller Inventory # photography-ferry-02