The catalogue Other People Think by MARTa Herford accompanies the first exhibition of works from entrepreneur Heiner Wemhöner's private collection of contemporary art in his hometown. Curated by museum director Kathleen Rahn, the show presents a selection of around 70 works by 25 artists and highlights the dialogue between the works as well as between the artworks and the architecture of the museum, which was designed by Frank Gehry. Across different media, the show explores political statements, issues relating to the body and identity, and the power of gestural expression. In addition to general contextual explanations of the collection by the curator, an essay by Doris Krystof examines the film installation Once Again … (Statues Never Die) by artist Isaac Julien, using it to address questions around the treatment of African artefacts and colonial heritage, and shedding new light on the very nature of collecting.
Text in English and German.
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MARTa Herford Museum for Art, Architecture, Design: The still relatively young Marta Collection contains almost 500 works of contemporary art, many of them large-format works. In keeping with the museum program, it includes outstanding works that engage with questions of design and architecture. The core of this is made up of a wide range of large-format, room-oriented work. Inspired by his encounters with the collector Lutz Teutloff and the founding director of MARTa Herford, Jan Hoet, Heiner Wemhöner acquired the first works of art at the end of the 1990s. The steadily growing collection now comprises around 1,600 works. While the initial focus was primarily on painting, sculpture and photography, the collector's interest increasingly opened up to video art. For a decade and a half now, Chinese contemporary art has been an important focus within the collection. After studying the history of art, history and literary studies in Freiburg im Breisgau and Cologne, Doris Krystof worked as an academic associate at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf and as curator at the Kunsthalle Wien. Since 2001 she has been curator for the collection and changing exhibitions at the K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf. She has authored numerous publications on modern and contemporary art. Kathleen Rahn is director of the Marta Herford Museum. The art historian comes from Wesel and was artistic director of the Kunstverein Hannover.
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Hardback. Condition: New. The catalogue Other People Think by MARTa Herford accompanies the first exhibition of works from entrepreneur Heiner Wemhöner's private collection of contemporary art in his hometown. Curated by museum director Kathleen Rahn, the show presents a selection of around 70 works by 25 artists and highlights the dialogue between the works as well as between the artworks and the architecture of the museum, which was designed by Frank Gehry. Across different media, the show explores political statements, issues relating to the body and identity, and the power of gestural expression. In addition to general contextual explanations of the collection by the curator, an essay by Doris Krystof examines the film installation Once Again . (Statues Never Die) by artist Isaac Julien, using it to address questions around the treatment of African artefacts and colonial heritage, and shedding new light on the very nature of collecting.Text in English and German. Seller Inventory # LU-9783735610645
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Buch. Condition: Neu. Neuware -Der Katalog Other People Think - Eine Auswahl aus der Sammlung Wemhöner des Marta Herford begleitet die erste Präsentation der Privatsammlung zeitgenössischer Kunst des Unternehmers Heiner Wemhöner in seiner Heimatstadt. Die von Direktorin Kathleen Rahn kuratierte Ausstellung zeigt rund 70 Werke von 25 Künstler\*innen und verdeutlicht die dialogischen Beziehungen der Arbeiten untereinander sowie zu der von Frank Gehry entworfenen Architektur des Museums. Über verschiedene Medien hinweg thematisiert die Schau politische Setzungen, Fragen von Körper und Identität sowie die expressive Kraft gestischer Ausdrucksformen. Neben einer allgemeinen Kontextualisierung der Sammlung durch die Kuratorin reflektiert Doris Krystof anhand von Isaac Juliens Filminstallation Once Again . (Statues Never Die) den sammlerischen Umgang mit afrikanischen Kulturgütern und dem kolonialen Erbe - und wirft zugleich neue Schlaglichter auf die Praxis des Sammelns an sich. 144 pp. Englisch, Deutsch. Seller Inventory # 9783735610645