The book examines ethnic inspirations in American jazz, Slovak-American jazz, young French bands with diverse fusion, Hungarian and Czech progressive rock, Czech world music and brass bands, American psychedelic rock, Italian rock & in a Romani-Slovak-Norwegian music project. New music trends embrace the African philosophy of ubuntu.
"synopsis" may belong to another edition of this title.
Dr. Yvetta Kajanová, musicologist, critic, and professor at Comenius University in Bratislava, Slovakia, focuses on the topics of jazz, rock, and pop music. Her major publications are The History of Rock Music (Peter Lang 2014) and Musica Rock: Suono, ritmo, affetto, e l´invenzione della chitarra elettrica (Mimesis International Milano 2022).
"About this title" may belong to another edition of this title.
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. *Ubuntu Fusion Music received a Certificate of Merit in the category Best History in Recorded Jazz at the 2025 Association for Recorded Sound Collections Awards for Excellence* In exploring heterogeneous intersections between jazz, rock, ethnic, and world music, this book answers the question as to whether fusion represents a style on its own or whether it is the base for combining diverse music sources. Social, political, and geographical divides reflected in post-communist, capitalist, and third worlds, and in democratic and dictatorial regimes have compelled substantial changes in musicians' thinking. The book examines ethnic inspirations in American jazz, Slovak-American jazz, young French bands with diverse fusion identities, Hungarian and Czech progressive rock, Czech world music and brass bands, American psychedelic rock, Italian rock, and in a Romani-Slovak-Norwegian music project. New compositional and improvisational trends, and hybrid fusions in contemporary music embrace the African philosophy of ubuntu, which denotes feelings of mutual belonging free of prejudices against racial origins, social inequalities, or other cultural characteristics. Seller Inventory # LU-9783631910917
Quantity: Over 20 available
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CX-9783631910917
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In English. Seller Inventory # ria9783631910917_new
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2024. New. hardcover. . . . . . Seller Inventory # V9783631910917
Quantity: Over 20 available
Seller: Borkert, Schwarz und Zerfaß GbR, Berlin, Germany
Hardcover. Condition: Wie neu. 266 pp., 40 fig. b/w. A perfect copy. - Summary: In exploring heterogeneous intersections between jazz, rock, ethnic, and world music, this book answers the question as to whether fusion represents a style on its own or whether it is the base for combining diverse music sources. Social, political, and geographical divides reflected in post-communist, capitalist, and third worlds, and in democratic and dictatorial regimes have compelled substantial changes in musicians thinking. The book examines ethnic inspirations in American jazz, Slovak-American jazz, young French bands with diverse fusion identities, Hungarian and Czech progressive rock, Czech world music and brass bands, American psychedelic rock, Italian rock, and in a Romani-Slovak-Norwegian music project. New compositional and improvisational trends, and hybrid fusions in contemporary music embrace the African philosophy of ubuntu, which denotes feelings of mutual belonging free of prejudices against racial origins, social inequalities, or other cultural characteristics. - Content: 'Ubuntu' and Fusion Music: A Concept Not Only of Musical Mutuality. Sources of Inspiration, Creative Methods, and the Significance of Improvisation (Introduction) -- Jazz and Ethnic Music -- Luca Cerchiari: Ethnic Music and Jazz, Past and Present: A General Theoretical Approach and a Focus on Multi-Instrumentalist Yusef Lateef -- Yvetta Kajanová: Ethnic Music and Slovak-American Jazz: Eugen Boto Finally Band, Radovan Tari ka's Folklore to Jazz and Hanka G's Universal Ancestry Projects -- Stéphane Audard: Is the Identity Problem a Teaching Problem? Questions about Fusion in Contemporary Jazz Based on Student Projects at the Conservatory in Paris -- Rock, Improvisation and Fusion -- Massimiliano Raffa: Through the Transitive Nightfall of Diamonds: Improvisational Experience in Psychedelic Rock -- Franco Fabbri: Preparing an Indigestible DishMacchina Maccheronica and Rock in Opposition as a Genre -- Jan Blüml: Polystylistic Tendencies in Early Czech Progressive Rock -- Sara Wagner: Rock-Jazz and Progressive Rock in Hungary: Fusion in the Early Seventies -- Stefano Marino and Giovanni Mugnaini: What Is Punk (in Italy) Today? Some Remarks on the Aesthetic and Social Aspects of Musical Subcultures -- World Music -- Petr Doru ka: Musical Fusion Throughout the History, From Qawwali via Gospel to Bolivian Baroque -- Ondrej Daniel: 'World Music' versus 'Folk-like Music': Age and Class in Debates about the Music Genres of 1990s Czech Society -- Petter Frost Fadnes and Nils Henrik Asheim: Sitting in a Circle: The Angrusori 'Method' and Hybridity in Practice -- Jana Beli ová: afterPhurikane: A Multi-Ethnic Music Project Inspired by Ancient Romani Songs, Phurikane gil'a -- Jana Bezek and Yvetta Kajanová: Thierry Ebam. ISBN 9783631910917 Sprache: Englisch Gewicht in Gramm: 414. Seller Inventory # 1246334
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In exploring heterogeneous intersections between jazz, rock, ethnic, and world music, this book answers the question as to whether fusion represents a style on its own or whether it is the base for combining diverse music sources. Social, political, and geographical divides reflected in post-communist, capitalist, and third worlds, and in democratic and dictatorial regimes have compelled substantial changes in musicians' thinking. The book examines ethnic inspirations in American jazz, Slovak-American jazz, young French bands with diverse fusion identities, Hungarian and Czech progressive rock, Czech world music and brass bands, American psychedelic rock, Italian rock, and in a Romani-Slovak-Norwegian music project. New compositional and improvisational trends, and hybrid fusions in contemporary music embrace the African philosophy of ubuntu, which denotes feelings of mutual belonging free of prejudices against racial origins, social inequalities, or other cultural characteristics. 266 pp. Englisch. Seller Inventory # 9783631910917
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2024. New. hardcover. . . . . . Books ship from the US and Ireland. Seller Inventory # V9783631910917
Seller: moluna, Greven, Germany
Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The book examines ethnic inspirations in American jazz, Slovak-American jazz, young French bands with diverse fusion, Hungarian and Czech progressive rock, Czech world music and brass bands, American psychedelic rock, Italian rock & in a Romani-Slovak-No. Seller Inventory # 1543986116
Quantity: Over 20 available
Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germany
Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -In exploring heterogeneous intersections between jazz, rock, ethnic, and world music, this book answers the question as to whether fusion represents a style on its own or whether it is the base for combining diverse music sources. Social, political, and geographical divides reflected in post-communist, capitalist, and third worlds, and in democratic and dictatorial regimes have compelled substantial changes in musicians' thinking. The book examines ethnic inspirations in American jazz, Slovak-American jazz, young French bands with diverse fusion identities, Hungarian and Czech progressive rock, Czech world music and brass bands, American psychedelic rock, Italian rock, and in a Romani-Slovak-Norwegian music project. New compositional and improvisational trends, and hybrid fusions in contemporary music embrace the African philosophy of ubuntu, which denotes feelings of mutual belonging free of prejudices against racial origins, social inequalities, or other cultural characteristics.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 266 pp. Englisch. Seller Inventory # 9783631910917
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In exploring heterogeneous intersections between jazz, rock, ethnic, and world music, this book answers the question as to whether fusion represents a style on its own or whether it is the base for combining diverse music sources. Social, political, and geographical divides reflected in post-communist, capitalist, and third worlds, and in democratic and dictatorial regimes have compelled substantial changes in musicians' thinking. The book examines ethnic inspirations in American jazz, Slovak-American jazz, young French bands with diverse fusion identities, Hungarian and Czech progressive rock, Czech world music and brass bands, American psychedelic rock, Italian rock, and in a Romani-Slovak-Norwegian music project. New compositional and improvisational trends, and hybrid fusions in contemporary music embrace the African philosophy of ubuntu, which denotes feelings of mutual belonging free of prejudices against racial origins, social inequalities, or other cultural characteristics. Seller Inventory # 9783631910917