Items related to Stop Motion (Poster Collection)
Synopsis
The medium of the poster is distinguished by displaying messages combining images and text on a static, two-dimensional surface. Designers have, however, always toyed with extending the plane by adding a third dimension, whether spatial or temporal, in order to fool the eye. Stop Motion examines the myriad creative approaches to suggesting movement, recession into depth, dynamics, and rhythm. Moreover, the works assembled in the publication show that - with the exception of the current animated poster trend - the simulation of movement and three dimensions is always the result of a conscious design decision motivated by the respective content.
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About the Author
BETTINA RICHTER is Curator of the Poster Collection at the Museum für Gestaltung Zürich. ELLEN LUPTON is Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum in NYC and a faculty member at the Maryland Institute College of Art.
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Search results for Stop Motion (Poster Collection)
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Stop Motion: Poster Collection 31
Published by
Lars Müller Publishers, 2019
ISBN 10: 3037786019
ISBN 13: 9783037786017
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paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized. Seller Inventory # M3037786019Z2
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Stop Motion: Poster Collection 31
Published by
Lars Müller Publishers, 2019
ISBN 10: 3037786019
ISBN 13: 9783037786017
Used
paperback
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Seller rating 5 out of 5 stars
paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Seller Inventory # M3037786019Z3
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Stop Motion : Poster Collection 31
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Stop Motion
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Stop Motion
Published by
Lars Muller Publishers, CH, 2019
ISBN 10: 3037786019
ISBN 13: 9783037786017
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Paperback. Condition: New. The medium of the poster is distinguished by displaying messages combining images and text on a static, two-dimensional surface. Designers have, however, always toyed with extending the plane by adding a third dimension, whether spatial or temporal, in order to fool the eye. Stop Motion examines the myriad creative approaches to suggesting movement, recession into depth, dynamics, and rhythm. Perspectival narrowing and plastically rendered motifs are among the traditional stylistic means used in painterly and illustrative posters. Borrowings from Op Art or psychedelic art perplex the eye. In photographic posters, techniques such as blurring or time exposure are used to cause an image to vibrate. But sophisticated printing techniques can also broaden the possibilities of visual expression. In contemporary posters, it is the strictly graphic means of writing, abstract pictograms, or geometric forms that stretch out nested spaces, through which the gaze wanders restlessly.Stop Motion reveals that poster designers have in fact traditionally sought to incorporate the aspect of movement. Moreover, the works assembled in the publication show that-with the exception of the current animated poster trend-the simulation of movement and three dimensions is always the result of a conscious design decision motivated by the respective content. Seller Inventory # LU-9783037786017
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Stop Motion: Poster Collection 31
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Stop Motion: Poster Collection 31
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Stop Motion: Poster Collection 31
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Paperback. Condition: Brand New. bilingual edition. 94 pages. French language. 10.00x7.00x0.25 inches. In Stock. Seller Inventory # __3037786019
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Stop Motion: Poster Collection 31
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Stop Motion: Poster Collection 31
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Condition: New. 2019. Paperback. . . . . . Seller Inventory # V9783037786017