The medium of the poster is distinguished by displaying messages combining images and text on a static, two-dimensional surface. Designers have, however, always toyed with extending the plane by adding a third dimension, whether spatial or temporal, in order to fool the eye. Stop Motion examines the myriad creative approaches to suggesting movement, recession into depth, dynamics, and rhythm. Moreover, the works assembled in the publication show that - with the exception of the current animated poster trend - the simulation of movement and three dimensions is always the result of a conscious design decision motivated by the respective content.
"synopsis" may belong to another edition of this title.
BETTINA RICHTER is Curator of the Poster Collection at the Museum für Gestaltung Zürich. ELLEN LUPTON is Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum in NYC and a faculty member at the Maryland Institute College of Art.
"About this title" may belong to another edition of this title.
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 68647319-75
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Seller Inventory # M3037786019Z3
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 58006698-20
Quantity: 1 available
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 96. Seller Inventory # 380840975
Quantity: 1 available
Seller: Rarewaves USA, HEBRON, KY, U.S.A.
Paperback. Condition: New. The medium of the poster is distinguished by displaying messages combining images and text on a static, two-dimensional surface. Designers have, however, always toyed with extending the plane by adding a third dimension, whether spatial or temporal, in order to fool the eye. Stop Motion examines the myriad creative approaches to suggesting movement, recession into depth, dynamics, and rhythm. Perspectival narrowing and plastically rendered motifs are among the traditional stylistic means used in painterly and illustrative posters. Borrowings from Op Art or psychedelic art perplex the eye. In photographic posters, techniques such as blurring or time exposure are used to cause an image to vibrate. But sophisticated printing techniques can also broaden the possibilities of visual expression. In contemporary posters, it is the strictly graphic means of writing, abstract pictograms, or geometric forms that stretch out nested spaces, through which the gaze wanders restlessly.Stop Motion reveals that poster designers have in fact traditionally sought to incorporate the aspect of movement. Moreover, the works assembled in the publication show that-with the exception of the current animated poster trend-the simulation of movement and three dimensions is always the result of a conscious design decision motivated by the respective content. Seller Inventory # LU-9783037786017
Seller: Books Puddle, Woodside, NY, U.S.A.
Condition: New. pp. 96. Seller Inventory # 26381981648
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 96. Seller Inventory # 18381981658
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.
Paperback. Condition: New. The medium of the poster is distinguished by displaying messages combining images and text on a static, two-dimensional surface. Designers have, however, always toyed with extending the plane by adding a third dimension, whether spatial or temporal, in order to fool the eye. Stop Motion examines the myriad creative approaches to suggesting movement, recession into depth, dynamics, and rhythm. Perspectival narrowing and plastically rendered motifs are among the traditional stylistic means used in painterly and illustrative posters. Borrowings from Op Art or psychedelic art perplex the eye. In photographic posters, techniques such as blurring or time exposure are used to cause an image to vibrate. But sophisticated printing techniques can also broaden the possibilities of visual expression. In contemporary posters, it is the strictly graphic means of writing, abstract pictograms, or geometric forms that stretch out nested spaces, through which the gaze wanders restlessly.Stop Motion reveals that poster designers have in fact traditionally sought to incorporate the aspect of movement. Moreover, the works assembled in the publication show that-with the exception of the current animated poster trend-the simulation of movement and three dimensions is always the result of a conscious design decision motivated by the respective content. Seller Inventory # LU-9783037786017
Seller: moluna, Greven, Germany
Kartoniert / Broschiert. Condition: New. Schon immer haben GestalterInnen damit gespielt, die Flaeche um eine dritte, raeumliche oder zeitliche Ebene zu erweitern und das Auge zu taeuschen. Stop Motion untersucht die vielfaeltigen gestalterischen Zugriffe, die Bewegung, Tiefensog, Dynamik und Rhythm. Seller Inventory # 287906269
Quantity: Over 20 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - Schon immer haben GestalterInnen damit gespielt, die Fläche um eine dritte, räumliche oder zeitliche Ebene zu erweitern und das Auge zu täuschen. 'Stop Motion' untersucht die vielfältigen gestalterischen Zugriffe, die Bewegung, Tiefensog, Dynamik und Rhythmus suggerieren. Perspektivische Verengung und plastische Motivdarstellungen zählen zu den traditionellen Stilmitteln im malerischen und illustrativen Plakat. Anleihen bei der Op-Art oder der psychedelischen Kunst irritieren die Netzhaut. Im Fotoplakat sind es Techniken wie Unschärfe oder Langzeitbelichtung, die ein Bild vibrieren lassen. Aber auch raffinierte Drucktechniken erweitern den visuellen Ausdruck.'Stop Motion' macht anschaulich, dass das traditionelle Medium Plakat das Moment der Bewegung schon immer mitgedacht hat. Die in der Publikation versammelten Arbeiten zeigen zudem, dass die Imitation von Bewegung und Räumlichkeit - abseits vom gegenwärtigen. Seller Inventory # 9783037786017