This is the first comprehensive monograph on French artist François Ristori (1936–2015), a lesser-known artist of the French postwar abstraction generation. He was known for employing a systematic motif of blue, red and white hexagon-like shapes he named "Trace-Forme" across painting, drawing and public interventions.
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François Ristori (1936-2015), peu connu du grand public, appartient pourtant à une génération d'artistes, qui, dans les années 1960, menaient des recherches radicales en questionnant la peinture. Au début de ces années, François Ristori produisait une peinture à l'huile gestuelle qualifiée par lui-même de Ğ post-automatique ğ. Très vite apparaissent dans ses recherches de grandes taches couvrant toute la surface de la toile. Fin 1967, il met en place un travail rigoureux qu'il appliquera durant toute sa carrière. Sa pratique, proche des propositions de BMTP (Buren, Mosset, Toroni, Parmentier) et de Claude Rutault, se caractérise par une mise à distance de toute subjectivité et la mise en place d'un protocole. Ainsi, son gabarit hexagonal est transformé selon des règles précises pour devenir des traces-formes imbriquée, toutes légèrement différentes. Les couleurs s'enchaînent, bleu, rouge, blanc, dans un ordre choisi par l'artiste et variant selon les tableaux. Ce travail sans effet ni affect, quasi mécanique, met le regard à l'épreuve.
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