A call-to-arms for creatives to make their work widely accessible as a political and communal act.
There are many ways to go public in art. There’s exhibiting, publishing, or reviewing. It is only through making artworks public that they become accessible to audiences―a performative act that also involves a marketplace of money and attention. Yet reception is an essential aspect of production.
This book looks at why such reception should not be limited to the art public, positing that going public as an aesthetic and political strategy necessitates an emancipatory practice of public communication that allows, and aspires to, uncertainties, questions, and complexities.
"synopsis" may belong to another edition of this title.
Sigrid Adorf is professor of contemporary art and cultural analysis as well as deputy director of the Institute for Cultural Studies in the Arts at the Zurich University of the Arts. Sønke Gau is an art historian, cultural scholar, curator, art critic, and lecturer at the Zurich University of the Arts. Basil Rogger is a consultant, researcher, and editor. He lectures in design, cultural analysis, and cultural education at the Zurich University of the Arts.
"About this title" may belong to another edition of this title.
Seller: Majestic Books, Hounslow, United Kingdom
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 272 pages. German language. 9.50x6.25x9.50 inches. In Stock. Seller Inventory # __3035805660
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Seller: Books Puddle, New York, NY, U.S.A.
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Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. Neuware -There are many ways to go public in the field of art-such as exhibiting and publishing artworks, writing about art, or presenting the findings of artistic and curatorial research and practice. It is only through making the results of artistic work public that they become accessible to audiences or participators-a performative act and at the same time an entry into a market place of money, attention, or symbolism. Reception is an essential aspect of production in this context. Yet the debate cannot be limited to the art public, as it becomes a political public with the emergence of antagonisms. At the forefront here is an understanding of going public as an aesthetic and political strategy not primarily concerned with 'objectively verified knowledge,' but with the necessity of public communication as an emancipatory practice that not only allows but also aspires to uncertainties, questions, and complexities. With contributions by Dirk Baecker, Stephan Geene, Jens Kastner, Eva Kernbauer, Isabell Lorey, Tine Melzer, Maria Muhle, Shusha Niederberger, Uriel Orlow, Volker Pantenburg, and Marion von Osten. 228 pp. Englisch. Seller Inventory # 9783035805666
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. Neuware -There are many ways to go public in the field of art-such as exhibiting and publishing artworks, writing about art, or presenting the findings of artistic and curatorial research and practice. It is only through making the results of artistic work public that they become accessible to audiences or participators-a performative act and at the same time an entry into a market place of money, attention, or symbolism. Reception is an essential aspect of production in this context. Yet the debate cannot be limited to the art public, as it becomes a political public with the emergence of antagonisms. At the forefront here is an understanding of going public as an aesthetic and political strategy not primarily concerned with 'objectively verified knowledge,' but with the necessity of public communication as an emancipatory practice that not only allows but also aspires to uncertainties, questions, and complexities. With contributions by Dirk Baecker, Stephan Geene, Jens Kastner, Eva Kernbauer, Isabell Lorey, Tine Melzer, Maria Muhle, Shusha Niederberger, Uriel Orlow, Volker Pantenburg, and Marion von Osten. 228 pp. Englisch. Seller Inventory # 9783035805666
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Kartoniert / Broschiert. Condition: New. There are many ways to go public in the field of art-such as exhibiting and publishing artworks, writing about art, or presenting the findings of artistic and curatorial research and practice. It is only through making the results of artistic work public. Seller Inventory # 763115668
Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germany
Taschenbuch. Condition: Neu. Neuware -Veröffentlichungspraktiken im Kunstfeld sind vielfältig - sei es als Ausstellen und Publizieren von Kunst, als Schreiben über Kunst oder in Form von Ergebnissen künstlerischer und kuratorischer Forschung und Praxis. Erst durch das Veröffentlichen werden Resultate künstlerischer Arbeit einem Publikum oder Partizipierenden zugänglich gemacht - ein performativer Akt und zugleich das Betreten eines Marktplatzs des Geldes, der Aufmerksamkeit oder des Symbolischen. Rezeption ist in diesem Zusammenhang ein wesentlicher Teil der Produktion. Dabei kann eine Debatte sich nicht nur auf eine Kunst-Öffentlichkeit beschränken, durch das Auftreten von Antagonismen wird sie auch zu einer politischen Öffentlichkeit. Im Vordergrund steht dabei ein Verständnis von Veröffentlichen als ästhetisch-politische Praxis, der es nicht primär um 'objektiv gesichertes Wissen' geht, sondern um die Notwendigkeit der öffentlichen Mitteilung als einer emanzipatorischen Praxis, die auch Unsicherheiten, Fragen und Komplexitäten nicht nur zulässt, sondern anstrebt.Mit Beiträgen von Dirk Baecker, Stephan Geene, Jens Kastner, Eva Kernbauer, Isabell Lorey, Tine Melzer, Maria Muhle, Shusha Niederberger, Uriel Orlow, Volker Pantenburg, Marion von Osten.GPSR Kontakt, Rochdalestraat 4a, 1814 TH Alkmaar 228 pp. Englisch. Seller Inventory # 9783035805666
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Condition: New. 2026. paperback. . . . . . Books ship from the US and Ireland. Seller Inventory # V9783035805666
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - There are many ways to go public in the field of art-such as exhibiting and publishing artworks, writing about art, or presenting the findings of artistic and curatorial research and practice. It is only through making the results of artistic work public that they become accessible to audiences or participators-a performative act and at the same time an entry into a market place of money, attention, or symbolism. Reception is an essential aspect of production in this context. Yet the debate cannot be limited to the art public, as it becomes a political public with the emergence of antagonisms. At the forefront here is an understanding of going public as an aesthetic and political strategy not primarily concerned with 'objectively verified knowledge,' but with the necessity of public communication as an emancipatory practice that not only allows but also aspires to uncertainties, questions, and complexities. With contributions by Dirk Baecker, Stephan Geene, Jens Kastner, Eva Kernbauer, Isabell Lorey, Tine Melzer, Maria Muhle, Shusha Niederberger, Uriel Orlow, Volker Pantenburg, and Marion von Osten. Seller Inventory # 9783035805666
Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. going public. | creating visibility in the field of art | Basil Rogger (u. a.) | Taschenbuch | 228 S. | Englisch | 2026 | Diaphanes Verlag | EAN 9783035805666 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu. Seller Inventory # 127131005