Synopsis
An exploration of the digital revolution in traditional audiovisual media.
Over the last two decades, the field of audiovisual media has changed dramatically. Until recently, there was only a small number of technologies, distribution channels were few, and moving images were largely limited to cinemas, televisions, galleries, or art museums. Also, both the producers and the audiences of such content clearly identified as human beings. Those days are over.
The digitization of image production and distribution ushered in a massive disruption to the traditional landscape of the moving image that had existed since the advent of the audiovisual industry. Touching on discussions such as child producers, the marketing interests of big corporations, and the origins of new media formats and practices, Display, Distribute, Disrupt maps the new conditions for creative work in the ever-widening sphere of audiovisual media.
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About the Author
Wolfgang Brückle teaches at the Lucerne University of Applied Sciences and Arts. With Rachel Mader he edits the publication series 745. Art, Design, Public Spheres. Fred Truniger is a film historian, curator, and head of the MA film program at Lucerne University of Applied Sciences and Arts.
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Display, Distribute, Disrupt: Contemporary Moving Image Practices
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Display, Distribute, Disrupt Contemporary Moving Image Practices
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Display Disruption Disorder
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Condition: New. The field of audiovisual media has changed dramatically over the last two decades. Until recently, the amount of audiovisual technology was still manageable, channels of distribution were few, the places where moving images were consumed were for the mos. Seller Inventory # 599568079
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Display, Distribute, Disrupt : Contemporary Moving Image Practices
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Taschenbuch. Condition: Neu. Neuware - The field of audiovisual media has changed dramatically over the last two decades. Until recently, the amount of audiovisual technology was still manageable, channels of distribution were few, the places where moving images were consumed were for the most part limited to cinemas, the domestic television set, and galleries or art museums. Also, both the producers and the audiences of such content clearly identified as human beings. Those days are over. The digitization of image production and distribution have proved a massive disruption to the traditional ecology of the moving image. This publication maps new contributors and new conditions for creative work in discussions of animal spectators, child producers, all-encompassing gazes and the marketing interests of big corporations, the origins of new formats and new practices in the widening sphere of audiovisual media.With contributions by Wolfgang Brückle, Samuel Frei, Maximilian Jablonowski, Marek Jancovic, Florian Krautkrämer, Alexandra Schneider, Fred Truniger, Axel Vogelsang, Birk Weiberg, Matthias Wittmann. Seller Inventory # 9783035805444