This volume focuses on one of the most crucial parts of Haydn's career - a key era in which the experiments of the 1770s arrived at the consolidation and definition of new compositional forms and practices in the 1780s. The 'mature' Haydn represents a musician marked by full creative ferment in all musical genres and reveals the profile of a composer at the peak of his career. Through new research, this book examines the views of Haydn's compositional practice as both self-aware and as adaptations based on the public's changing tastes. Such was an achievement that Haydn obtained without betraying the principles of balance, solidity and expressiveness that he developed during decades of musical practice at the Esterhazy court.
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Federico Gon, a musicologist and composer, obtained his Ph.D. from the University of Padua. His monograph "Scolaro sembra dell'Haydn" : l'influenza di Haydn su Rossini (Fondazione Rossini) was published in 214. A member of the scholarly committee of the Italian National Edition of Commedie per musica by Domenico Cimarosa, he was also a postdoctoral researcher at the University of Vienna from 216 to 219. He currently teaches at the University of Udine and at the Conservatorio di Musica ‘Luca Marenzio' in Brescia.
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