This study is a threefold investigation of understandings of embodiment - as displayed in the playhouses, courthouses, and anatomy theatres of London between 1540 and 1696. These dates mark the waxing and waning of the Worshipful Company of Barber-Surgeons' domination of the practice of dissection in London. In 1540 Henry VIII gave them his approval and encouragement but by 1696 Edward Ravenscroft's The Anatomist: Or the Sham Doctor staged their loss of power. This loss of power, the book contends, is symptomatic of a major shift in the concept of embodiment. The book explains the changing understanding of the human body throughout this period by analysis of the interplay between the texts used in and the material practices of three specific public sites: the public playhouses, the Sessions House, and the Anatomy Theatre of the Worshipful Company of Barber-Surgeons of London. Using an approach which combines the socially textured understandings of fields of practice found in Bourdieu with the interpretations of progression across time found in Elias and Foucault, The Theatre of the Body demonstrates how the three fields of drama, law, and medicine are intimately inter-connected in that process. In presenting this analysis, the author argues that the quality of embodiment begins to shift during this period from the mid-sixteenth century and throughout the course of the seventeenth century. In this shift one can observe how the earlier, 'traditional' interpretation of embodiment is intensified and resolidified into the beginnings of the medicalized 'modern' body.
"synopsis" may belong to another edition of this title.
Kate Cregan is the author of Global Childhoods: Issues and Debates (SAGE, 2014), Key Concepts in Body and Society (SAGE, 2012), "Sociology of the Body: Mapping the Abstraction of Embodiment" (SAGE, 2006) and "The Theatre of the Body: Staging Death and Embodying Life in Early Modern London" (Brepols, 2009). The majority of her writing and research is based around understandings of the embodiment across time, space and culture-with particular reference to medical interpretations of the body, medical technologies and the representation in images of the body. Two of her allied interests are ethics (human, social and research) and writing pedagogies, in particular how becoming a writer informs the process of becoming a researcher. She has extensive experience teaching and researching in the humanities and social sciences and recently has co-ordinated the teaching of ethics to medical students across the five years of a medical degree. Currently, she is a senior lecturer in sociology in the School of Political and Social Inquiry, and she runs the interdisciplinary Graduate Researchers in Print writing program in the Faculty of Arts, Monash University, Melbourne.
"About this title" may belong to another edition of this title.
Seller: The Compleat Scholar, Rochester, NY, U.S.A.
Hardcover. Condition: Good. Never read. Hardcover with printed boards. New book with cover damage - scratches and the laminate is peeling. Seller Inventory # 14-1218-118-3515
Seller: SKULIMA Wiss. Versandbuchhandlung, Westhofen, Germany
Condition: Neu. Staging Death and Embodying Life in Early-Modern London. This study is a threefold investigation of understandings of embodiment - as displayed in the playhouses, courthouses, and anatomy theatres of London between 1540 and 1696. The book explains the changing understanding of the human body throughout this period by analysis of the interplay between the texts used in and the material practices of three specific public sites: the public playhouses, the Sessions House, and the Anatomy Theatre of the Worshipful Company of Barber-Surgeons of London. Using an approach which combines the socially textured understandings of fields of practice found in Bourdieu with the interpretations of progression across time found in Elias and Foucault, The Theatre of the Body demonstrates how the three fields of drama, law, and medicine are intimately inter-connected in that process. In presenting this analysis, the author argues that the quality of embodiment begins to shift during this period from the mid-sixteenth century and throughout the course of the seventeenth century. In this shift one can observe how the earlier, 'traditional' interpretation of embodiment is intensified and resolidified into the beginnings of the medicalized 'modern' body. XVI,349 Seiten mit 35 Abb., gebunden (Late Medieval and Early Modern Studies; Vol. 10/Brepols 2009). Statt EUR 90,95. Gewicht: 795 g - Gebunden/Gebundene Ausgabe. Seller Inventory # 24719
Seller: ISD LLC, Bristol, CT, U.S.A.
hardcover. Condition: New. 1st. Seller Inventory # 88051
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9782503520582. Seller Inventory # 5817427
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 5513323
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Condition: New. 2009. Illustrated. hardcover. . . . . . Seller Inventory # V9782503520582
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Condition: New. 2009. Illustrated. hardcover. . . . . . Books ship from the US and Ireland. Seller Inventory # V9782503520582
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germany
Condition: gut. Theatre of the Body, Staging Death and Embodying Life in Early-Modern London In deutscher Sprache. pages. Seller Inventory # BN384600