The essays in this volume challenge the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, yet they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability.
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Hardcover. Condition: Gut. 230 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Einband etwas bestoßen, sonst guter Zustand / Binding a little bumped, otherwise good condition. - Table of Contents Introduction: Trends in Historicizing Early Modem Literature, History, and the Visual Arts ALBERT H. TRICOMI PART ONE Literature and History as Critical Practices Writing the History of the Present: Contextualizing Early Modern Literature JEAN E. HOWARD Mapping Theory in History: Conceptual Cites and Social Sites in the French Monarchic State SARAH HANLEY Dueling and Civility in Sixteenth-Century Italy DAVID QUINT The Place of Vives's Instruction of a Christen Woman in Early Modern English Domestic Book Literature MARGARET MIKESELL PART TWO Rehistoricizing Through the Visual Arts Motivating History KEITH MOXEY Tainted Image/Sacred Image: The Wandering Madonna of S. Maria in Vallicella LAURA MACCASKEY Viewing Foucault Viewing Velasquez's Las Menihas JAMES BYRNES Form and Pressure: Shakespearean Drama and the Elizabethan State 171 LOUIS MONTROSE Embodying Origins: An Anatomy of a Yeoman's Daughter, Spenser's Argante, and Elizabeth I 203 DAVID KINAHAN Reading History, Reading Power, Reading Plays: Graham Holdemess on Shakespeare's History Plays 221 WILLIAM O. SCOTT. ISBN 9782503508498 Sprache: Englisch Gewicht in Gramm: 545. Seller Inventory # 1195013