"synopsis" may belong to another edition of this title.
Alexander Streitberger is a university professor of Art History at UCLouvain and the director of the ‘Lieven Gevaert Research Centre for Photography, Art and Visual Culture’.
Olivia Ardui is an art historian. She specialises in the Brazilian arts from the 1960s onwards. She is interested in the performative and visual arts and currently teaches at UCLouvain.
The Grid investigates the many ways in which the grid is exploited in contemporary art. Textile weave, graphic grid, material support, typological system, spatiotemporal framework, computer matrix, narrative and documentary device... the grid emerges as a complex, ambiguous structure evocative of the rational order of science, while simultaneously unlocking hitherto untapped avenues for imagination, intuition and creativity.
This book features artworks by artists from Concrete Art, Minimalism, Optical Art, Conceptual Art, Narrative Art, Performance Art, and Digital Art, including a special focus on Brazilian Contemporary Art.
Artists represented:
Carl Andre, Claudia Andujar, Christian Boltanski, Analívia Cordeiro, Michael Ensdorf, Esther Ferrer, Douglas Huebler, On Kawara, Sherrie Levine, Sol LeWitt, Jacques Lizène, Verena Loewensberg, Vera Molnár, François Morellet, Dennis Oppenheim, Gina Pane, Rosemarie Trockel.
"About this title" may belong to another edition of this title.
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Paperback. Condition: New. The Grid examines the multiple uses of the grid in contemporary art. Textile weaves, graphic grids, framework for materials, typological systems, spatio-temporal frameworks, computer matrix, narratives and documentary devices. The Grid presents works by renowned artists including Max Bill, François Morellet, Vera Molnár, Carl Andre, Sol LeWitt, Dennis Oppenheim, Esther Ferrer, Gina Pane, Christian Boltanski, Sherrie Levine, Claudia Andujar, Analívia Cordeiro and Anna Bella Geiger. "Each grid has its own texture, uniqueness, individuating features, capacities for creative enactment, and relationship to other grids, as much as each person combines and utilises a grid for him- or herself.' Hannah B. Higgins. Seller Inventory # LU-9782390252535
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Paperback. Condition: new. Paperback. The Grid examines the multiple uses of the grid in contemporary art. Textile weaves, graphic grids, framework for materials, typological systems, spatio-temporal frameworks, computer matrix, narratives and documentary devices. The Grid presents works by renowned artists including Max Bill, Francois Morellet, Vera Molnar, Carl Andre, Sol LeWitt, Dennis Oppenheim, Esther Ferrer, Gina Pane, Christian Boltanski, Sherrie Levine, Claudia Andujar, Analivia Cordeiro and Anna Bella Geiger. Each grid has its own texture, uniqueness, individuating features, capacities for creative enactment, and relationship to other grids, as much as each person combines and utilises a grid for him- or herself.' - Hannah B. Higgins AUTHORS: Alexander Streitberger is a university professor of Art History at UCLouvain and the director of the 'Lieven Gevaert Research Centre for Photography, Art and Visual Culture'. Olivia Ardui is an art historian. She specialises in the Brazilian arts from the 1960s onwards. She is interested in the performative and visual arts and currently teaches at UCLouvain. SELLING POINTS: . The Grid presents works by renowned artists including Max Bill, Francois Morellet, Vera Molnar, Carl Andre, Sol LeWitt, Dennis Oppenheim, Esther Ferrer, Gina Pane, Christian Boltanski, Sherrie Levine, Claudia Andujar, Analivia Cordeiro and Anna Bella Geiger 80 colour illustrations The concept of the 'grid' as a material, visual, formal and theoretical structure in the avant gardes of the 1960s-1980s, with a focus on contemporary art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9782390252535
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