Since the earliest days of my filmmaking, I wrote such short stories, indeed very short stories: sometimes two or three sentences, perhaps a paragraph. There are now close to a thousand stories, and I have the distinct sense they will not stop coming. Some found their way into my early short films - stories spoken directly to the camera in H is for House and Vertical Features Remake - and sometimes they provided the very architecture of a film, as in Dear Phone. They also spill, extravagantly, into the encyclopaedic three hours of The Falls. Over ;me, the stories have multiplied, touching on almost everything that occupies me. Certain subjects return insistently: painters and paintings, birds and natural history, anatomy, Rome and the Romans, the Netherlands and the Dutch. Darwin, Rembrandt, and Henry VIII reoccur. And stories about stories are endless. The Cook, The Thief, His Wife and Her Lover was built on the courses of a dinner, while another script imagines an old man writing a hundred stories about the towers of a city - a structure that allows me to speak of death, loss, human hubris, ageing, mortality, and euthanasia. Whether this will ever find its way into film remains uncertain. Together with the artist, painter, and illustrator Stefano Bessoni, we present a collection of my stories accompanied by his drawings. And so, we have begun. Peter Greenaway.
"synopsis" may belong to another edition of this title.
Peter Greenaway (b. 1942), born in Newport, Wales, and based in Amsterdam and London, he is considered to be an avant-gardist who has made forays into mainstream cinema, Peter Greenaway's unique visual language reveals a strong influence from his training as a painter, as well as structural linguistics and philosophy. Openly critical of the Hollywood approach to filmmaking, he believes that cinema should offer much more beyond the confines of narrative. As a believer in the subversive power of the image, Greenaway expresses his critical reaction to our contemporary visual culture in different forms, ranging from paintings and films, to television, multimedia formats, opera, and, most recently, VJ-ing. His constant exploration of the cinematic medium has resulted in the creation of incredibly rich imagery, heavily influenced by Renaissance painting and architecture, that explores the limits of provocative eroticism, sexual pleasure, and death.
Stefano Bessoni (b.1965) born in Rome, is an Italian filmmaker, writer, illustrator, and stop-motion animator. His work is driven by a passion for entomology, anatomy, fairy tales, and the history of science. Bessoni draws inspiration from eerie suggestions that evoke the uncanny, delving into the concept of the wunderkammer. At the heart of Bessoni's creations lies the technique of stop-motion, the dark essence of animation. His artistry, often infused with gothic mystery and utilizing unconventional materials such as bones, rags, vintage toys, and attic finds, exudes a haunting allure.
"About this title" may belong to another edition of this title.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. Bessoni, Stefano (illustrator). New Book. Shipped from UK. Established seller since 2000. Seller Inventory # EB-9782381620121
Quantity: 8 available
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Bessoni, Stefano (illustrator). Paperback. Since the earliest days of my filmmaking, I wrote such short stories, indeed very short stories: sometimes two or three sentences, perhaps a paragraph. There are now close to a thousand stories, and I have the distinct sense they will not stop coming. Some found their way into my early short films - stories spoken directly to the camera in H is for House and Vertical Features Remake - and sometimes they provided the very architecture of a film, as in Dear Phone. They also spill, extravagantly, into the encyclopaedic three hours of The Falls. Over ;me, the stories have multiplied, touching on almost everything that occupies me. Certain subjects return insistently: painters and paintings, birds and natural history, anatomy, Rome and the Romans, the Netherlands and the Dutch. Darwin, Rembrandt, and Henry VIII reoccur. And stories about stories are endless. The Cook, The Thief, His Wife and Her Lover was built on the courses of a dinner, while another script imagines an old man writing a hundred stories about the towers of a city - a structure that allows me to speak of death, loss, human hubris, ageing, mortality, and euthanasia. Whether this will ever find its way into film remains uncertain. Together with the artist, painter, and illustrator Stefano Bessoni, we present a collection of my stories accompanied by his drawings. And so, we have begun. Peter Greenaway. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9782381620121
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. Bessoni, Stefano (illustrator). 64 pages. 6.50x2.00x8.25 inches. In Stock. Seller Inventory # __2381620125
Quantity: 2 available
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Bessoni, Stefano (illustrator). 2026. paperback. . . . . . Books ship from the US and Ireland. Seller Inventory # V9782381620121
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Bessoni, Stefano (illustrator). 2026. paperback. . . . . . Seller Inventory # V9782381620121
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Bessoni, Stefano (illustrator). Neuware - Greenaway's cultured, ironic and bizarre universe comes to life through the dark fairy-tale illustrations of fellow filmmaker Stefano BessoniPart of Peter Greenaway's (born 1942) fiction series, He Read Deep into the Night is an invitation to lose ourselves in a labyrinth of stories and visions, with help from illustrations by Stefano Bessoni, a filmmaker in love with stop-motion and a designer of unsettling creatures by a passion for fairy tales. Seller Inventory # 9782381620121
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Bessoni, Stefano (illustrator). Paperback. Since the earliest days of my filmmaking, I wrote such short stories, indeed very short stories: sometimes two or three sentences, perhaps a paragraph. There are now close to a thousand stories, and I have the distinct sense they will not stop coming. Some found their way into my early short films - stories spoken directly to the camera in H is for House and Vertical Features Remake - and sometimes they provided the very architecture of a film, as in Dear Phone. They also spill, extravagantly, into the encyclopaedic three hours of The Falls. Over ;me, the stories have multiplied, touching on almost everything that occupies me. Certain subjects return insistently: painters and paintings, birds and natural history, anatomy, Rome and the Romans, the Netherlands and the Dutch. Darwin, Rembrandt, and Henry VIII reoccur. And stories about stories are endless. The Cook, The Thief, His Wife and Her Lover was built on the courses of a dinner, while another script imagines an old man writing a hundred stories about the towers of a city - a structure that allows me to speak of death, loss, human hubris, ageing, mortality, and euthanasia. Whether this will ever find its way into film remains uncertain. Together with the artist, painter, and illustrator Stefano Bessoni, we present a collection of my stories accompanied by his drawings. And so, we have begun. Peter Greenaway. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9782381620121