The study explores the novel’s settings, from Sodeni and Govié to the Upper Savannah and the United States, highlighting the symbiotic relationship between place and identity. It explores Amadou Ouédraogo’s use of evocative symbols and metaphors that echo prevalent themes in African literature, including dual identity and post-colonial reckonings, and the emblematic theme of return. The analysis contextualizes the novel within contemporary African literary theory, establishing meaningful connections with seminal thinkers such as Frantz Fanon, Aimé Césaire, and Ngugi wa Thiong’o. Through multiple theoretical frameworks, including autoethnography, Neo-Fanonism, and Mircea Eliade’s conceptualization of sacred and cyclical time, the study positions Les larmes des racines as a significant contribution to African literature, African studies, anthropology, and the broader humanities.
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Michel Tinguiri is a cultural anthropologist, literary scholar, linguist, and professional translator based in Maryland, USA, where he teaches French and cultural studies. His interdisciplinary research encompasses language acquisition, adult education, cultural studies, gender dynamics, development studies, and educational technology. A prolific scholar, he has authored numerous books and peer-reviewed publications. His current research projects investigate educational technology implementation, the experiences of African migrant teachers in the United States, and creative writing in both fiction and poetry. Beyond his academic pursuits, Michel Tinguiri is an accomplished visual artist with a particular focus on painting.
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