"A chanson de gestes" : such was the definition of Hermès proffered by a visitor being taken around the workshops one day. It is certainly a good description, for those who see the house "from within", of the humming, mysteriously busy hive that is the reality behind the famous signature. It is a "land of the hand", a country whose extent and variety of activity few could imagine. An incessant ballet of nimble fingers deftly working materials they master from start to finish. MENEHOULD DU CHATELLE
"synopsis" may belong to another edition of this title.
Olivier Saillard est actuellement directeur du musée Galliera, le musée de la mode de la Ville de Paris. Historien de la mode reconnu, il a été le commissaire de nombreuses expositions à succès telles "Madame Grès, la couture à l'oeuvre" (musée Bourdelle), "Christian Lacroix, histoires de mode", "Yohji Yamamoto, juste des vêtements", "Sonia Rykiel, exhibition" et "Couturiers superstars" (Arts décoratifs), "Andy Warhol et la mode" (musée de la Mode, Marseille)...
Il est l'auteur d'une histoire des maillots de bain (Du Chêne) et très récemment d'une complète «Histoire idéale de la mode contemporaine »(Textuel). En outre, il a été lauréat de la villa Kujoyama. Il mène un travail poétique présenté sous forme de performance chaque saison de défilé de haute couture, précisant un travail réflexif et sensible où le vêtement est toujours le coeur du sujet.
«A chanson de gestes»: such was the definition of
Hermès proffered by a visitor being taken around the workshops one day. It is certainly a good
description, for those who see the house "from within", of the humming, mysteriously busy hive
that is the reality behind the famous signature.
It is a "land of the hand", a country whose extent and variety of activity few could imagine. An
incessant ballet of nimble fingers deftly working materials they master from start to finish.
MÉNÉHOULD DU CHATELLE
"About this title" may belong to another edition of this title.
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