All written in response to different films, the poems in Claudia Masin's Intact are concerned with desire, love, suffering, and the stories we tell ourselves about the meaning forged from loss. Expansive, graceful, and incisive, Masin's poems delve into sensory experience to explore, in her words, "the infinite capacity for transformation of whatever is touched by an intense desire" - and the mark left by grief, which is a transformation in itself. Ultimately, Intact is a call to wonderment and vitality from one of Argentina's most beloved contemporary poets.
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Claudia Masin, writer and psychoanalyst, was born in Resistencia, Chaco, Argentina, in1972. She spent 30 years in Buenos Aires before moving to the city of Córdoba, whereshe currently lives. She coordinates writing workshops and has taught poetry in thewriting program at Argentina's National Arts University. Masin is the author of 11 poetrycollections, two personal anthologies, and a volume of collected works. Her book Lavista unanimously won Spain's Casa de América Prize in 2002 and was published byVisor. Lo intacto won a prize from the National Arts Fund of Argentina in 2017. Herpoem "Tomboy" was among the winners of the 2019 Poems in Translation Prize, organized by Words Without Borders and the Academy of American Poets. Masin'sbooks have been published in Spain, Mexico, Brazil, and Chile; her work is widelyanthologized across Latin America and Europe; and her poems have been translated intoFrench, English, Portuguese, Italian, and Swedish.
Robin Myers is a poet, translator, essayist, and 2023 NEA Translation Fellow. Recenttranslations include What Comes Back by Javier Peñalosa M. (Copper Canyon Press);The Brush by Eliana Hernández-Pachón (Archipelago Books); A Whale Is a Country(Fonograf Editions) and In Vitro (Coffee House Press), both by Isabel Zapata; Copy byDolores Dorantes (Wave Books); The Law of Conservation by Mariana Spada (DeepVellum Publishing); and Bariloche by Andrés Neuman (Open Letter Books). Her poemshave appeared in Best American Poetry, Yale Review, The Drift, Poetry London, andelsewhere; her essays, in Los Angeles Review of Books, Words Without Borders, andLatin American Literature Today.
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