How much time do I have? The man asks.
With words muffled behind my double mask,
I mumble something. He accepts the answer,
the non-answer.
Sometimes, you ask just to hear the question
and not the response.
Is death disguised in the cancer cells inside him?
Or is it floating in the air around us?
I give him chemotherapy to chase away the first.
I wear a mask to trap out the second.
Equal fight?
Unknown.
The answer hides behind the mask of uncertainty.
What I had mumbled was:
How much time does life on Earth have?
I am glad he didn't hear it.
He is glad too.
Talking to people behind masks is tricky.
They can only see your eyes
and the frown in them can't hide behind a smile.
Truth. The truth is more naked behind a mask.
I feel each breath I take. How precious life is behind a mask!
Unmasked, you're never aware of breathing.
I hear my breath behind a mask.
How loud life is behind a mask!
Masks don't cover your vision. Only your gasp.
Google statistics.
Roll, roll, numbers roll. County's count. State's count. Nation's count. World's count.
In the beginning, I could add and subtract
yesterday's cases from today's. How many more?
Now I can't. With six digits, you lose track.
No. You won't lose your job,
I answer my single-mother secretary.
Did she smile? Can I see her mouth behind her mask?
Did she see the truth in my eyes?
Thank God for masks.
No one questions the truth in the eyes
if it doesn't come out of the mouth.
How many masks do I have?
I have to make some from scratch this weekend.
"synopsis" may belong to another edition of this title.
Rana Bitar is a Syrian American physician, poet, and writer. She earned her Master's in English and Creative Writing from Southern New Hampshire University.Her poetry appeared in The Deadly Writers Patrol journal, DoveTales, Earthen Lamp Journal, Pittsburgh Poetry Review, Magnolia Review, El Portal, Pacific REVIEW, Black Coffee Review, The Phoenix, The Dewtrope, and The Charleston Anvil. Also, scheduled to appear in The International Human Rights Art Festival, The Beltway Quarterly, and Sextant Review.She is a contributor to Seeing Things: Anthology of Poetry. Ed. Robert Bensen. Oneonta and Treadwell NY: Woodland Arts Editions and Bright Hill Press & Literary Center, 2020. Her essay, The Sliding Door, was published in The Pharos, Winter 2020 issue. Forthcoming in Pink Panther Magazine is her essay, In The Alley.Her poetry chapbook, "A Loaf Of Bread," was published by "Unsolicited Press," January 8, 2019. "A Loaf Of Bread" was a finalist in the "Concrete Wolf Chapbook Competition" in 2017, and won an honorable mention in "The 2017 Louis Award" for poetry.She lives in upstate NY.
"About this title" may belong to another edition of this title.
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