Between States of Matter points out that we spend more time getting somewhere than being there, more time in the process than the final form. And beings are always trying to upend the way things are, whether it's a lion appearing in the front yard, a plant sneaking out of its assigned place, or the author shifting between her own self and a dog. The poems move between yearning and acceptance, yet are shot through with sardonic humor--the poet compares a battle of King Kong and Godzilla to the current state of affairs; a dead husband showing up for dinner must be taken to a restaurant because the speaker still can't cook his favorite food; a seeker of enlightenment will reach that state only by dying in an earthquake. Yet the place that is Between States of Matter is full of possibility. Change could go anywhere.
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Granddaughter of immigrants, Sherry Rind takes her chances with poetry instead of crossing the Atlantic with a few biscochos by way of kosher food. She published her first poems when still in college. Earning her BA in a recession, she decided the only solution was to return to school, working as a teaching assistant and earning her MA in advanced writing. She taught writing at community colleges and for arts commissions, and worked in development and at miscellaneous other jobs, as writer do. She received grants and awards from the Seattle and King County Arts Commissions, Pacific Northwest Writers, National Endowment for the Arts, and Artist Trust. She edited two books about Airedale terriers and published numerous articles about parrots. She has published two chapbooks, The Whooping Crane Dance and A Natural History of Grief, runner-up for the Quentin R. Howard Chapbook Prize. Her books are The Hawk in the Back Yard, winner of the Anhinga award and published by Anhinga Press, and A Fall Out the Door, winner of the King County Arts Commission Publication Award and published by Confluence Press. She has always lived with multiple animals and knows she is one.
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