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Synopsis
Literary Nonfiction. Art. Poetry. Italian Studies. Haunted by three thousand years of artists who made pilgrimage to the Eternal City, collaborators Elizabeth Cooperman and Thomas Walton gather impressions from the ruinous streets in and around Rome. The result is a literary mosaic that aligns itself with the ecstatic baroque of Bernini, the concentrated vision of Caravaggio, and the sublime uncertainty of Keats, as it resists the forces of another dark age.
Dazzling with image and anecdote, with comedy and cobblestones, with headless statues and the bright robes of street performers, with shadow and cicada and shock of light, THE LAST MOSAIC is an aesthetic call to arms to listen, a battle cry to be impressed, and a plea to get lost.
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About the Author
Thomas Walton is author of the anti-lyric-essay lyric essay The World Is All That Does Befall Us (Ravenna Press, 2018), the micro-chapbook A Name Is Just A Mane (Rinky Dink, 2016), and, with Elizabeth Cooperman, the tesselated essay/poem THE LAST MOSAIC (Sagging Meniscus Press, 2018). His work has appeared in ZYZZYVA, Delmar, Timberline Review, Rivet, The Chaos Journal, Queen Mob's Teahouse, Bombay Gin, Pontoon, and other magazines. Some of his poems were anthologized in Make It True; Poetry from Cascadia (Leaf Press, 2015). He lives in Seattle, where he edits PageBoy Magazine
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Paperback. Condition: Good. Literary Nonfiction. Art. Poetry. Italian Studies. Haunted by three thousand years of artists who made pilgrimage to the Eternal City, collaborators Elizabeth Cooperman and Thomas Walton gather impressions from the ruinous streets in and around Rome. The result is a literary mosaic that aligns itself with the ecstatic baroque of Bernini, the concentrated vision of Caravaggio, and the sublime uncertainty of Keats, as it resists the forces of another dark age. Dazzling with image and anecdote, with comedy and cobblestones, with headless statues and the bright robes of street performers, with shadow and cicada and shock of light, THE LAST MOSAIC is an aesthetic call to arms to listen, a battle cry to be impressed, and a plea to get lost. Seller Inventory # CIN1944697667G
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Paperback. Condition: new. Paperback. Haunted by three thousand years of artists who made pilgrimage to the Eternal City, collaborators Elizabeth Cooperman and Thomas Walton gather impressions from the ruinous streets in and around Rome. The result is a literary mosaic that aligns itself with the ecstatic baroque of Bernini, the concentrated vision of Caravaggio, and the sublime uncertainty of Keats, as it resists the forces of another dark age. Dazzling with image and anecdote, with comedy and cobblestones, with headless statues and the bright robes of street performers, with shadow and cicada and shock of light, The Last Mosaic is an aesthetic call to arms to listen, a battle cry to be impressed, and a plea to get lost. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781944697662
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