Items related to Intersecting Colors: Josef Albers and His Contemporaries
Synopsis
These papyri provide the first secure information, in concrete detail, on the purposes and the effects of the imperial tax reform under Diocletian at the end of the 3rd century and the beginning of the 4th. They also throw much new light on the 4th-century practice of "public liturgy"—the administrative device of making up the lack of money in the state treasury by compulsory labor service. An introduction, apparatus criticus, and translation accompany each text. A comprehensive index completes the volume.
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About the Author
Vanja Malloy is the curator of American art at the Mead Art Museum at Amherst College and the organizing editor and curator of Intersecting Colors. She has a longstanding research interest in the intersections of art and science and earned her Ph.D. at the Courtauld Institute of Art for her dissertation, "Rethinking Alexander Calder: Astronomy, Relativity, and Psychology."
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Intersecting Colors: Josef Albers and His Contemporaries
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Intersecting Colors Josef Albe
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INTERSECTING COLORS: Josef Albers and His Contemporaries
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ISBN 10: 194320800X
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Intersecting Colors
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Paperback. Condition: New. Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color-dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests-ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry. Seller Inventory # LU-9781943208005
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Intersecting Colors
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ISBN 13: 9781943208005
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Paperback. Condition: New. Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color-dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests-ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry. Seller Inventory # LU-9781943208005
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