Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist
From her beginning in the mid-1960s through the early ’70s, German artist Anna Oppermann (1940–1993)―best known for her encyclopedic, immersive installations―created an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own body―her knees, arms, the back of her head―as reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.
This volume gathers these drawings and early installations in an English-language publication for the first time.
"synopsis" may belong to another edition of this title.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 40411530-n
Seller: Rarewaves USA, HEBRON, KY, U.S.A.
Paperback. Condition: New. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist From her beginning in the mid-1960s through the early '70s, German artist Anna Oppermann (1940-1993)-best known for her encyclopedic, immersive installations-created an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own body-her knees, arms, the back of her head-as reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.This volume gathers these drawings and early installations in an English-language publication for the first time. Seller Inventory # LU-9781941753323
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 40411530
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 40411530-n
Quantity: 4 available
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In English. Seller Inventory # ria9781941753323_new
Quantity: 4 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9781941753323
Quantity: 4 available
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 131 pages. 13.25x8.00x0.50 inches. In Stock. Seller Inventory # __1941753329
Quantity: 2 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 40411530
Quantity: 4 available
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK. Seller Inventory # M1941753329Z3
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.
Paperback. Condition: New. Surreal, psychedelic riffs on domestic objects from a trailblazing feminist artist From her beginning in the mid-1960s through the early '70s, German artist Anna Oppermann (1940-1993)-best known for her encyclopedic, immersive installations-created an astonishing series of surreal, almost psychedelic drawings that quietly explode the private space of the home, and her experience within it. These early drawings contribute to a feminist reentering of spheres traditionally associated with women, casting everyday objects as symbolic, consequential protagonists: houseplants sprawl to take over the picture plane, windows and mirrors provide views into other worlds and tables display drawings that themselves open out into new domestic scenes. By placing her own body-her knees, arms, the back of her head-as reference points in the work, Oppermann emphasizes the gendered realms of the home and the relationships that we form to our private spaces.This volume gathers these drawings and early installations in an English-language publication for the first time. Seller Inventory # LU-9781941753323