Published to coincide with an exhibition organized by Bob Nickas, on view at David Zwirner, New York (February 19 – March 23, 2013). Uglow quickly gained a reputation as an “artist’s artist.” Working in series that evolved slowly over decades, he always remained faithful to his central vision and his practice was unaffected by the increasingly commercial demands of the art scene in the 1980s and 1990s. His paintings revolve around a subtle dialogue between notions of center and edge, and are executed gradually, with several layers of paint. They appear at once calm and dynamic, and simultaneously suggest emptiness and ground.
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Work by Alan Uglow has been featured in a number of solo and group exhibitions worldwide, most recently in 2012 in the group show Stand still like the hummingbird at David Zwirner, New York. In 2010, his work was the subject of two large-scale surveys, concurrently on view in Germany at the Museum Wiesbaden and the Museum Haus Esters in Krefeld. Other recent solo exhibitions include the CCNOA &; Center for Contemporary NonObjective Art, Brussels (2006) and the Gemeentemuseum, The Hague (2004). His first museum solo exhibition was held in 1992 at the Kölnischer Kunstverein in Cologne.
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Hardcover. Condition: new. Hardcover. Published to coincide with an exhibition organized by Bob Nickas, on view at David Zwirner, New York (February 19 March 23, 2013). Uglow quickly gained a reputation as an artists artist. Working in series that evolved slowly over decades, he always remained faithful to his central vision and his practice was unaffected by the increasingly commercial demands of the art scene in the 1980s and 1990s. His paintings revolve around a subtle dialogue between notions of center and edge, and are executed gradually, with several layers of paint. They appear at once calm and dynamic, and simultaneously suggest emptiness and ground. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781934435649