Beginning with D. W. Griffith's The Birth of a Nation and ending with Mel Gibson's The Passion of the Christ, Winchell reveals the surprisingly politically incorrect notions at the heart of eighteen classic films, including Ben-Hur, Intruder in the Dust, The Man Who Shot Liberty Valance, Patton, The Deer Hunter, A Clockwork Orange, Gangs of New York, and Gettysburg. Along the way, he shows how a number of filmmakers, sometimes unwittingly, have produced unconventionally honest explorations of the nature and meaning of race relations, love, family, community, worship, and other aspects of shared human experience. Winchell ends with synoptic assessments of an additional one hundred politically incorrect films, from About Schmidt to Zulu. The result is a film guide showing that sometimes even Hollywood has done better than we typically give it credit for.
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Mark Royden Winchell is professor of English at Clemson University.
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