Synopsis
This first full-length volume draws from poems written over roughly ten years: prose sequences, sonnets or thereabouts, parody-homages, a metro poem, psychical collaborations, and drawn from small-print chapbooks. Combining a condensed lyricism, collage, and durational procedures, the collection works its way through days and the everyday (near accidents, a working salad, the assumptions of architecture)...
The sense of fleeting glimpse, of provisionality, of actual sense-data taken in but not yet possessed, is terrific. Is it 'lyric'? Well, yes—but with a stylistic affiliation to Projective and subsequent aesthetics. And no—in the sense that Wright does not seek that laurel or that identification.
The feeling given is of a spacey self-awareness. So many lines in these poems seem acts of orientation, verification of the subject's placement, vis-a-vis sounds, views, examinations—of the sky, of overhead wires, a bird, sounds of a nearby train or traffic, changes in the weather. A space both actual and mental.
Ken Bolton, Southerly
Tim Wright is the author of The night's live changes (2014) and Weekend's end (2013).
"synopsis" may belong to another edition of this title.
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Suns
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Puncher & Wattmann (edition ), 2018
ISBN 10: 192578004X
ISBN 13: 9781925780048
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ISBN 10: 192578004X
ISBN 13: 9781925780048
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Paperback. Condition: new. Paperback. This first full-length volume draws from poems written over roughly ten years: prose sequences, sonnets or thereabouts, parody-homages, a metro poem, psychical collaborations, and drawn from small-print chapbooks. Combining a condensed lyricism, collage, and durational procedures, the collection works its way through days and the everyday (near accidents, a working salad, the assumptions of architecture).The sense of fleeting glimpse, of provisionality, of actual sense-data taken in but not yet possessed, is terrific. Is it 'lyric'? Well, yes - but with a stylistic affi liation to Projective & subsequent aesthetics. And no - in the sense that Wright does not seek that laurel or that identification.'The feeling given is of a spacey self-awareness. So many lines in these poems seem acts of orientation, verifi cation of the subject's placement, vis--vis sounds, views, examinations - of the sky, of overhead wires, a bird, sounds of a nearby train or traffic, changes in the weather. A space both actual and mental.' - Ken Bolton, Southerly The sense of fleeting glimpse, of provisionality, of actual sense-data taken in but not yet possessed, is terrific. Is it 'lyric'? Well, yes - but with a stylistic affi liation to Projective & subsequent aesthetics. And no - in the sense that Wright does not seek that laurel or that identification. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781925780048
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ISBN 10: 192578004X
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