In her debut collection, award-winning talent Caitlin Maling explores coming of age in contemporary Australia. Writing from Perth, Houston and Cambridge, Malings early years to adulthood are told through the lens of the Australian landscape. For young settler Australians this is a place that both defines and undermines identity. A place that claims but cant be claimed in return. Restlessly questioning and slipping between promise and possibility, Malings Australia is richly evoked in narratives of raw power and feeling.
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Caitlin Maling is a Western Australian writer. She has published five books of poetry, been shortlisted in the Western Australian Premier's Book Awards, received the Marten Bequest in Poetry and been awarded the Val Vallis Award, the Harri Jones Memorial Prize and the John Marsden Poetry Prize. Her poetry has been published and anthologised widely across Australia and the US. She currently teaches creative writing at Curtin University and lives in Fremantle with her young family.
I,
The path to the dam,
To Robert Thompson,
Sundays,
Donnelly River, 13,
fourteen,
Asphodel,
sixteen,
Shark days,
Bloodlust,
eighteen,
Concessional: Cassandra to Helen,
Pine,
After a girl goes missing,
Lust,
Things we learn from our Father,
II,
Things I missed about Cervantes while in Cambridge,
Holiday,
Back in Perth,
Medea to Jason,
For my Lady M,
Lament for Cervantes,
The fish,
Marriage,
Eurydice speaks,
Aftershock,
III,
generation why,
Leonora 2010,
Gendericide,
Easter up the Gascoyne,
TV pastoral,
At the Ballarat Art Gallery,
The break,
Hector,
Living waters,
A380 letter,
IV,
Writing to Perth from Houston,
North of the river,
Shark nights,
Hurricane season,
Town,
Tacit knowledge,
Homesick song,
Family rule,
Terroir,
You will wear white,
How I spent my 18th year,
Directions,
The path to the dam
Our dads laid the lime-
stones. We couldn't lift
or nudge them with our toes
because of what we might catch
under. Like you can't put your feet
down the bottom, we were
too soft for yabbies and you
never dive from the bank
because the logs move
overnight. We kept to the surface,
struck with water-boatmen –
sun-skitterish pinpricks of life –
scattering away from the ripples
our fingers made. The year
they laid the path, my father
lived elsewhere and I
put my head under
for the first time,
past the warm spot,
swam deep,
it was so dark
and so cold,
there was no
way up.
To Robert Thompson
When you and I were ten you killed the baby.
I learnt about it on the radio
on the way to a Power Rangers birthday party.
That night, I drank Coke with the sugar left in
and we girls ran little pink circles
around each other for hours, only coming together
to cut to pieces someone's older brother.
Walking my little sister to school
the day after seeing you on the television,
I practised hardening my hands, tried picturing
her fingers as prison bars I had to break. For years
we would walk past a half-demolished home
the yard littered with stones like frags.
And for many days trying to feel the weight
of that brick in my hand
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