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Julie Lawson is Chief Curator at the Scottish National Portrait Gallery, Edinburgh. She has curated numerous highly acclaimed exhibitions and is the author of previous books including A Shepherd's Life: Paintings of Jenny Armstrong by Victoria Crowe (2000), John Byrne: Sitting Ducks (2014) and Victoria Crowe: Beyond Likeness (2018).
Tom Normand is Honorary Research Fellow in the School of Art History at the University of St Andrews. He is the author of several books, most recently The Constructed Worlds of Calum Colvin (Luath Press, 2019). He has also authored numerous academic articles, critical essays and artist's catalogues. He is an Honorary Member of the Royal Scottish Academy of Art.
Andrew O'Hagan's latest novel is Mayflies, published by Faber & Faber in 2020. He received the E.M. Forster Award from the American Academy of Arts and Letters, the Los Angeles Times Book Award, and has three times been nominated for the Booker Prize. He is a Fellow of the Royal Society of Literature.
A unique insight into the ways in which one of today's leading artists is inspired by great works of the past.
In 16 emphatically modern new paintings, renowned artist, Alison Watt, responds to the remarkable delicacy of the female portraits by eighteenth-century Scottish portraitist, Allan Ramsay.
Watt's new works are particularly inspired by Ramsay's much-loved portrait of his wife, along with less familiar portraits and drawings. Watt shines a light on enigmatic details in Ramsay's work and has cr
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Hardcover. Condition: new. Hardcover. In a series of brand new paintings, renowned artist, Alison Watt, responds to the paintings and drawings of 18th-century Scottish artist Allan Ramsay. The new works are particularly inspired by Ramsay's wonderful and much-loved painting of his wife, but also consider some seldom seen drawings from Ramsay's 1755-57 sketchbook. Watt's response is made through a series of interpretations in her own style, while developing a great appreciation of the remarkable delicacy in Ramsay's work. The new paintings and historical portraits and drawings are accompanied by a statement from the artist and commentaries on the works featured in the book. While offering a fresh and modern perspective on the historical works of one of Scotland's outstanding portraitists, this book also reveals insight into how one of today's leading artists looks at and is inspired by the art of the past. AUTHOR: Alison Watt was born in Greenock and studied at Glasgow School of Art. She first came to prominence when, still a student, she won a national portrait competition organised by the National Portrait Gallery in London. Watt subsequently became known for her paintings of figures, often female nudes, in light-filled rooms. This led on to a series of works exploring the properties of fabric. In 2000 she became one of the youngest artists to have a solo exhibition at the Scottish National Gallery of Modern Art. Watt participated in the 2010 exhibition Autoritratte at the Sala delle Reali Poste in the Uffizi Gallery, Florence, Italy, which brought together female self-portraits from the sixteenth century to today. She was Associate Artist at the National Gallery, London in 2006-8. In 2008 she was awarded an OBE. SELLING POINTS: . The first appearance in print of a series of brand new paintings by Alison Watt . Revisits and explores the work of popular 18th-century artist, Allan Ramsay . A fascinating melding of 18th- and 21st-century Scottish art . A beautiful book which, in its design, reflects the delicacy of Allan Ramsay's work 30 colour images In a series of new paintings, renowned artist, Alison Watt, offers her response to 18th-century Scottish artist Allan Ramsay's wonderful painting of his wife. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781911054450
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Hardback. Condition: New. A unique insight into the ways in which one of today's leading artists is inspired by great works of the past. In 16 emphatically modern new paintings, renowned artist, Alison Watt, responds to the remarkable delicacy of the female portraits by eighteenth-century Scottish portraitist, Allan Ramsay. Watt's new works are particularly inspired by Ramsay's much-loved portrait of his wife, along with less familiar portraits and drawings. Watt shines a light on enigmatic details in Ramsay's work and has created paintings which hover between the genres of still life and portraiture. In conversation with curator Julie Lawson, Watt discusses how painters look at paintings, explains why Ramsay inspired her, and provides unique insight into her own creative process. Andrew O'Hagan responds to Watt's paintings with a new work of short fiction and art historian Tom Normand's commentary explores further layers of depth to our understanding of both artists. Seller Inventory # LU-9781911054450
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