Tree Language is told in shard-like poems of supreme richness and finely balanced darkness - variously shaped, whittled to a point, almost sharp enough to draw blood. And although this is a book spiked with brambles and skeletal branches, shot through with frost and fossilled with plant-bones, blood is the slick thread that sews together its themes and landscapes: war and personal tragedy, daffodils and poppies, Jerusalem, Scotland, colour and desolation.
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Marion McCready was born in 1977 on the Isle of Lewis and brought up in Dunoon, a small town in the west coast of Scotland by the Firth of Clyde where she currently lives with her husband and two small children. Marion studied for a Joint Honours degree (1st Class) in Politics and Classical Civilisa- tions at Glasgow University followed by an MLitt in Philosophy also at Glasgow University. Whilst at university she won the RSAMD Edwin Morgan Po- etry Prize. She has performed her poetry at events in Glasgow, Edinburgh and Callander. Marion s poems have been published or are due to be pub- lished in a variety of literary journals and magazines including Shearsman Magazine, Gutter, Envoi, Edinburgh Review, The Glasgow Herald, Northwords Now, Poetry Scotland, Anon, The Red Wheelbarrow, Poetry Salzburg Review and online at Shadowtrain, Horizon Review, The Ofi Press (Mexico), New Linear Perspectives, From Glasgow to Saturn and Ink, Sweat & Tears. Her poems have also been anthologised in Glimmer (Cinnamon Press 2010) and Bird Book I, (Sidekick Books 2011). Her debut pamphlet collection, Vintage Sea, was published by Calder Wood Press (2011). She recently won a Scottish Book Trust New Writers Award (2012/13).
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