What is the importance of film festivals in the context of film culture at large? What logic reigns within the film festival galaxy? Are film festivals tools of power and prestige that make or break the fate of a film? Or do they effectively seal diverse and unique cinema from the wider public whilst simultaneously professing to celebrate it? What, if anything, is wrong with the concept of 'festival films'? What makes a good film festival good or a bad one bad? It is these and other questions that are raised and treated in the classic texts included in this anthology.
"synopsis" may belong to another edition of this title.
Dina Iordanova is Professor of Film Studies at the University of St Andrews in Scotland where she directs the Centre for Film Studies and St Andrews Film Studies Press. A specialist in transnational cinema, she has been involved with a number of film festivals, and is a Trustee of the Edinburgh International Film Festival.
"About this title" may belong to another edition of this title.
Seller: Bookseller909, Granger, IA, U.S.A.
Condition: Good. Used - Good. Book may not contain supplemental items such as CDs, access codes, etc. Seller Inventory # 26-E-0016
Seller: Bookseller909, Granger, IA, U.S.A.
Condition: Very Good. Used - Very Good. Book may not contain supplemental items such as CDs, access codes, etc. Seller Inventory # 26-E-0015
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G1908437081I3N00