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Synopsis
This volume explores the evolving concepts of authenticity and replication in the interpretation, display, and conservation of cultural heritage. Challenging traditional Western emphasis on original materials, the papers examine how scientific analysis, historical context, and conceptual significance all shape our understanding of what is considered the ‘real thing.’ Contributors discuss the role of replicas, shifting curatorial approaches, and the complex decision-making faced by conservators, curators, and historians in today’s heritage practice.
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About the Author
Rebecca Gordon is a full-time astrologer, presenter, and columnist of the stars. Founder and creator of the nine-year-running My Path Astrology school, she teaches live and online courses year-round in New York City. Her astrological columns have been featured in "Prevention" "Magazine", Conde Nast s Epicurious, and currently she contributes monthly astrology articles to HarpersBazaar.com. Rebecca is passionate about teaching, sharing the language of the planets, and helping others to navigate their path in life.
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Authenticity and Replication : The 'Real Thing' in Art and Conservation : Proceedings of the International Conference Held at the University of Glasgow, 6-7 December 2012
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Authenticity and Replication
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Paperback. Condition: new. Paperback. What is the real thing in cultural heritage? The papers in this book address the concepts of authenticity and replication for the interpretation, display and conservation of our cultural heritage.In the West the value placed on original materials has been central to our understanding of cultural heritage. While advances in conservation science provide detailed information on the tangible properties of objects, there is a growing emphasis on the importance of their conceptual framework and the context in which they were created. Therefore, we have to consider the value of different ways of representing objects and debate whether one stage of their history should take precedence over others. In this context, the potential use of replication broadens the discussion on authenticity and brings about additional challenges in what circumstances does a replica gain significance as another form of the real thing?While the concept of authenticity continues to be one of the core factors driving decision making in conservation and interpretation, new approaches towards the display and use of collections are challenging conventions, making the roles of curators, conservators, art historians and conservation scientists increasingly complex. The papers in this volume address this dilemma and provide a platform for the continued discussion of this valuable and intriguing subject. The concept of authenticity is one of the core factors driving decision making. Papers in this volume examine five key areas of discussion. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781904982999