This volume, based on the Hildesheim symposium Theory and Practice in the Conservation of Modern and Contemporary Art, examines the theoretical, ethical, and aesthetic foundations of conserving contemporary artworks. Contributors explore whether new conservation frameworks are needed to address the conceptual and material complexities of modern art, drawing from historical theories while adapting them to current cultural contexts. Featuring interviews with artists and collectors, the book highlights the essential role of artist intent in shaping contemporary conservation strategies.
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