Synopsis
This volume presents papers from the second symposium of the Art Technological Source Research study group, exploring the use of diverse sources to understand the history, materials, and techniques of art production. Through case studies and methodological reflections, contributors examine textual, material, and audiovisual sources—from medieval gilding and Baroque treatises to colonial pigments and contemporary archives. Emphasising interdisciplinary collaboration and clear methodologies, the book highlights how art technology research contributes to broader cultural, aesthetic, and historical understanding. Texts are in English or Spanish, with abstracts in both languages.
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