With digital cameras, colour in photography finally comes of age. It is now not only possible but essential for all photographers to take charge of the colour in the images they create. Digital cameras and powerful image-editing software applications provide them with all the tools needed to control colour fully and expressively. The unique value of this book is that it analyzes and combines three important ways of dealing with colour. The first is the subjective and cultural response to individual colours and colour combinations. The second is how they are found and appear in photography. The third is the means by which they can be viewed and altered digitally. Above all, the book is about enjoying colour in photography, through understanding the role it can play in the image, appreciating its nuances and dynamic effects, then capturing and reproducing it as precisely as possible.
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Michael Freeman, professional photographer and best-selling author, was born in England in 1945, took a Masters in Geography at Brasenose College, Oxford University, and then worked in advertising in London for six years. In 1971 he made the life-changing decision to travel up the Amazon with two secondhand cameras, and when Time-Life used many of the pictures he came back with, he embarked on a full-time photographic career.
Since then, working for clients that include all the world's major magazines, most notably the Smithsonian Magazine (for which he has shot more than 40 stories over 30 years), Freeman's reputation as one of the world's leading reportage photographers has been consolidated. Of his many books, which have sold over 4 million copies worldwide, more than 60 titles are on the practice of photography. For this photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture.
Freeman's books on photography have been translated into 27 languages.
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