In his introduction to On Set, director Alan Parker speculates that it was the experience British photographer Greg Williams gained in war zones such as Grozny and Sierra Leone that allowed him to come away from 42 movies with such a gripping dossier on the renaissance in British film.
The absence of any recent serious rivals to Williams’ film–set documentary work supports the notion that it takes a fearless, cunning
and dedicated individual
to manoeuvre round the obstacles of forbidding publicists, closed sets, irate cameramen and uncompliant lighting. "As a photographer and film enthusiast, I wanted to revive the genre of the Life Magazine set reports of the 1950s and 60s," says Williams. "For a variety of reasons, the past 30 years have seen photographic access to the film industry severely restricted, limited mainly to portrait shots. I wanted to re-establish reportage as a respected form of film photography."
Planned as an editorial project exploring the film-making process in its entirety, On Set grew into a three-years-in-the-making report on British cinema as it once again blossomed with movies like The Talented Mr Ripley, Lock Stock And Two Smoking Barrels and Elizabeth. Gaining uprecedented access to sets, Williams was able to frame stars, directors and crew in their element and tell a complete, naturalistic story.
Starting with Terry Gilliam’s hands at the storyboarding stage and ending with Hugh Grant lip–syncing in post-production, On Set’s fascinating insider’s tale captures the leading lights of British and American film as they’re rarely seen: Jude Law practices his dance moves; Matt Damon prepares for his close up; Renee Zellweger relaxes between takes. Supported by pertinent observations from directors and actors, On Set moves from Brad Pitt to Peter O’Toole, from Cate Blanchett to Julie Andrews, evoking what Parker descibes as ‘the whole deranged process’ with the assiduity of a painter.
"synopsis" may belong to another edition of this title.
"Greg has captured the magic, misery and sheer lunacy that make up the strange world of filmmaking." -- High Life
Willams’ passion for cinema and life on location comes through in his pictures." -- Observer Life Magazine
This text is a photographic story of modern British film, seen from an insider's perspective. Williams spent five years exploring the talent that has revived the industry since the 1990s, capturing the moments on set, in pre-production, rehearsal, through to launches.
"About this title" may belong to another edition of this title.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Fair. First Paperback Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Seller Inventory # 1903399017-7-1
Seller: HPB-Movies, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_467234571
Seller: Rivelli's Books, Minneapolis, MN, U.S.A.
Soft cover. Condition: Very Good. New folio copy in a jacket that has light shelfwear. Lots of celebrities on set: Michael Caine, tom hanks, renee zwelleger, peter o'toole, hugh grant, jude law, tons more. Seller Inventory # ABE-1061709888
Seller: Kloof Booksellers & Scientia Verlag, Amsterdam, Netherlands
Condition: very good. London : Growbag Ltd., 2002. Reprint. Paperback. 225 pp. Condition : very good copy. ISBN 9781903399019. Keywords : PHOTOGRAPHY, Seller Inventory # 177416
Quantity: 1 available
Seller: London Bridge Books, London, United Kingdom
Paperback. Condition: Good. Seller Inventory # 1903399017-3-29338842
Quantity: 1 available
Seller: Bookenastics, Devon, United Kingdom
Soft cover. Condition: Near Fine. No Jacket. This is signed by the author. / In his introduction to On Set, director Alan Parker speculates that it was the experience British photographer Greg Williams gained in war zones such as Grozny and Sierra Leone that allowed him to come away from 42 movies with such a gripping dossier on the renaissance in British film. Williams supports the notion that it takes a fearless, cunning and dedicated individual to manoeuvre round the obstacles of forbidding publicists, closed sets, irate cameramen and uncompliant lighting. Planned as an editorial project exploring the film-making process in its entirety, 'On Set' grew into a three-years-in-the-making report on British cinema as it once again blossomed with movies like 'The Talented Mr Ripley, Lock Stock, Two Smoking Barrels & Elizabeth'. Gaining uprecedented access to sets, Williams was able to frame stars, directors and crew in their element and tell a complete, naturalistic story. Starting with Terry Gilliam's hands at the storyboarding stage and ending with Hugh Grant lip syncing in post-production, Jude Law practices his dance moves; Matt Damon prepares for his close up; Renee Zellweger relaxes between takes. Supported by pertinent observations from directors and actors, moves from Brad Pitt to Peter O'Toole, from Cate Blanchett to Julie Andrews, evoking what Parker descibes as 'the whole deranged process' with the assiduity of a painter. /// This is a 1st edition paperback with a dustjacket good condition. (224 pages). This is a heavy book nearly 1.4kg, so there will be an extra postage charge. Seller Inventory # 11591