Items related to Animation: Genre and Authorship (Short Cuts)
Synopsis
"Animation: Genre and Authorship" is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically at these issues, and to challenge the prominence of live action movie-making as the first form of contemporary cinema and visual culture. Including extensive analysis of individual animators and their operation within studios such as Disney and Dreamworks, the book investigates the use of animation in genres from horror and science fiction to documentary and propaganda.
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About the Author
Paul Wells is head of the media portfolio at the University of Teesside, UK, with special interests in animation and broadcasting.
"About this title" may belong to another edition of this title.
- PublisherWallflower Press
- Publication date2002
- ISBN 10 1903364205
- ISBN 13 9781903364208
- BindingPaperback
- LanguageEnglish
- Number of pages144
Search results for Animation: Genre and Authorship (Short Cuts)
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Animation: Genre and Authorship (Short Cuts)
Published by
Columbia University Press, 2002
ISBN 10: 1903364205
ISBN 13: 9781903364208
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Animation : Genre and Authorship
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Animation : Genre and Authorship
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Animation : Genre and Authorship
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Animation: Genre and Authorship (Short Cuts)
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Animation: Genre and Authorship
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Animation : Genre and Authorship
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Animation: Genre and Authorship (Short Cuts (Wallflower))
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Animation : Genre and Authorship
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Animation
Published by
Wallflower Press, 2002
ISBN 10: 1903364205
ISBN 13: 9781903364208
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Paperback / softback
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