Francis Bacon died of a heart attack in 1992. During his lifetime the artist maintained that he painted straight onto canvas without the benefit of preparatory studies. However, since the artist's death, several groups of works on paper have come to light, offering amazing new insights into Bacon's working methods-and his personal obsessions. This book showcases a unique collection of works on paper that were bundled up and given to Bacon's friend Barry Joule by Bacon just before he died. There are over 1000 items in what is now known as the Joule Archive. One of the most significant parts of the archive is The X Album, a collection of 70 oil sketches painted in a photograph album that apparently once belonged to Bacon's nanny. These drawings relate to Bacon's work from the 50s and 60s, and include many nudes and portraits, as well as studies of facial malformations. The Joule Archive also includes over 900 'working documents'- photographs that have been torn from books, magazines and newspapers, many of them folded, scratched or worked over with paint. Here are reproductions of some of Bacon's most famous subjects, such as the painting by Velazquez from which he made his screaming Pope. But the working documents are also an amazing compendium of images in their own right, revealing an artist's eye-view of some of the most important people and events of the 20th Century. At the time of going to print these works had not been officially recognized as being by Bacon. And although the curators and publisher had wanted to show these works alongside Bacon's paintings permission to do so was categorically denied by the Bacon Estate. Working against a backdrop of intrigue and mystery the show and the book have now been unveiled. The Barbican, 21 Publishing and a host of Bacon experts firmly believe that the majority of the works are by Bacon and now invite the public to judge for themselves.
"synopsis" may belong to another edition of this title.
Published to coincide with an exhibition at the Barbican Art Gallery, London, the Barry Joule Archive provides a vivid insight into the mind and work of the controversial artist Francis Bacon. Widely acclaimed in his lifetime as being utterly spontaneous, this collection provides evidence to the contrary with over 1000 items of working documents previously unseen.
"About this title" may belong to another edition of this title.
Seller: Browsing Is Arousing, Middlebury, VT, U.S.A.
Condition: Very Good. Softcover, 112 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. During his lifetime, Francis Bacon maintained that he painted directly onto canvas without the benefit of preparatory studies. Since his death in 1992, however, several groups of works on paper have come to light, offering amazing new insights into Bacon's working methods and personal obsessions. "Bacon's Eye" showcases a unique collectiion of works on paper that were bundled up and given by the artist to his friend Barry Joule just prior to his death. This collection includes a remarkable album of 70 oil sketches that relate to his work from the '50s and '60s, as well as over 900 "working documents": images torn from books, magazines and newspapers that have been painted and sketched over, revealing an artist's-eye-view of some of the most important people and events of the 20th century. As of yet, these works have not been officially recognized as being by Bacon. Permission to to show these works alongside finished paintings was denied by the Bacon Estate. The gallery, 21 Publishing, and a host of Bacon experts firmly believe in the authenticity of these works. This book, along with an exhibition at the Barbican Gallery in London, are a means of allowing the public to judge for itself. Edited by Georgia Mazower. Foreword by John Hoole. Introduction by Mark Sladen. Essay by Mark Sladen. Record # 350661. Seller Inventory # 350661
Seller: Browsing Is Arousing, Middlebury, VT, U.S.A.
Condition: Very Good. Softcover, 112 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. During his lifetime, Francis Bacon maintained that he painted directly onto canvas without the benefit of preparatory studies. Since his death in 1992, however, several groups of works on paper have come to light, offering amazing new insights into Bacon's working methods and personal obsessions. "Bacon's Eye" showcases a unique collectiion of works on paper that were bundled up and given by the artist to his friend Barry Joule just prior to his death. This collection includes a remarkable album of 70 oil sketches that relate to his work from the '50s and '60s, as well as over 900 "working documents": images torn from books, magazines and newspapers that have been painted and sketched over, revealing an artist's-eye-view of some of the most important people and events of the 20th century. As of yet, these works have not been officially recognized as being by Bacon. Permission to to show these works alongside finished paintings was denied by the Bacon Estate. The gallery, 21 Publishing, and a host of Bacon experts firmly believe in the authenticity of these works. This book, along with an exhibition at the Barbican Gallery in London, are a means of allowing the public to judge for itself. Edited by Georgia Mazower. Foreword by John Hoole. Introduction by Mark Sladen. Essay by Mark Sladen. Record # 350660. Seller Inventory # 350660
Seller: avelibro OHG, Dinkelscherben, Germany
4°, broschur. Condition: Sehr gut. 112 Seiten, Abb. Buch ist in einem sehr guten Zustand, Papier in sehr gutem Zustand, Deckel leicht gewölbt. MIG-38-03A Sprache: Englisch Gewicht in Gramm: 657. Seller Inventory # 1883203
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 112 pages, very good condition; clean and crisp; owner's stamp to first blank page; no other internal marks. Foreign shipping may be extra. Seller Inventory # BaBaBa45
Seller: ANTIQUARIAT Franke BRUDDENBOOKS, Lübeck, Germany
4° Broschiert. Condition: Gut. 112 S. Das Buch ist in gutem, sauberen Zustand. Einband leicht gelöst. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9781901785067 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 650. Seller Inventory # 615101
Seller: Fahrenheit's Books, Denver, CO, U.S.A.
Softcover. Condition: Very Good. First Edition. First edition, trade paperback, has a subtle lean to the binding, bumps to the spine ends and cover corners, light rubbing to the covers with a scuff to the rear hinge, a minor pink smudge to the spine, a touch of wear with a few tiny dings to the cover edges, and a slight pull to pages 8-9. Overall, a Very Good copy. Seller Inventory # 210344
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # rev7193968222
Quantity: 1 available
Seller: Karen Jakobsen (Member of the PBFA), Sturminster Newton, United Kingdom
Soft cover. Condition: Very Good. No Jacket. Softcover. Condition: Very good, binding sound, no inscriptions. 112pp. Many colour illustrations. This catalogue was produced to accompany the exhibtion of papers, photographs, sketches and collages allegedly given by Francis Bacon to his friend Barry Joule just a few days before he died in 1992. The papers were controversial as during his lifetime Bacon always said that he did not draw, making attribution difficult. However, if officially recognised, the papers would revolutionise the understanding of Bacon's work. The papers are to date (2022) still not completely officially recognised, particularly by the Francis Bacon Estate. Seller Inventory # 007583
Quantity: 1 available
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
paperback. Condition: fine. BACON, Francis. (illustrator). Exhibition catalogue, illustrated in color. 112 pages. Tall slim 4to, matte pictorial boards. London: Barbican Art, 2001. A fine copy. Seller Inventory # 328963
Seller: Parrot Books, Hemel Hempstead, HERT, United Kingdom
Paperback. Condition: Very Good. Seller Inventory # mon0000070191
Quantity: 1 available