The Cathedrals of France, Belgium and Western Germany are constructed on the sites of the first Christian churches. These churches were built on the sites of Celtic/Druid temples or on the sites of Roman temples, which were themselves constructed on ancient Celtic religious sites. Today, we are able to discern an enduring pattern to the Cathedrals, which clues us to a massive 300-mile long feat of architecture implemented between 500 and 2000 years before Christ. At that time, a copy of the constellation of Ursa Major (The Big Dipper) was embedded into the landscape of Northern Europe. The dimensions of the construction are Greek and link us directly to the works of Plato and the Book of Revelations through the ancient science of Gematria (numerology). Inside the construction is a pattern that contains all the elements intrinsic to the grail stories: The lance, the sword, the cup, the stone, the wounded knight, the round table and Arthur are all clearly visible.
The pointer stars of this construction point towards the mysterious village of Rennes-le-Chateau as a possible location for the Pole Star. The seven stars themselves include the cathedrals at Chartres, St Quentin, Rheims and Verdun and one of the most ancient Celtic forts in Europe on the hilltop fortress of Donnersberg.
In the twelfth century when the construction of the Gothic cathedrals commenced, the Cistercian order and certain Lords involved in the establishment of the Knights Templar founded a series of Abbeys that were precisely located to fit the secret pattern on the ground. It is clear from the organisation of construction that this was no co-incidence and that someone involved in the establishment of these Abbeys knew of the secret. The essential design may even lie behind the employment of the Stars and Stripes on the American flag.
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On Earth as it is in Heaven shows how a magnificent yet simple series of patterns link the key cathedrals in Northern France and is a precise and accurate foundation for the Grail legends as they have been handed down to us. The 150 illustrations indicate clearly that the Druids duplicated 'The Great Bear' on the ground and incorporated designs which represented the stories that they associated with this unique constellation.
The overall conception is revealed by the direct links from the ground pattern with Avebury, Stonehenge, Philae in southern Egypt and Jerusalem. The location of the pattern in relation to these places, its 302.4 mile span from the centre of Chartres Cathedral to the centre of the Celtic Ringwall at Donnersberg in Germany and the complimentary position of the ancient Paris meridian all denote an undertaking that was greater than the Pyramids in its conception.
The measurements that were used seem to link the Egyptian, Greek and Imperial units of measure, indicating a universal numerical constant. Its design and conception may well have been by the Arcadians who it is often proposed were the direct descendants of the tribe of Benjamin.
Greg Rigby shows an undeniable awareness of this Druidic pattern by the first Cistercians and a direct link with the mysterious village of Rennes-le-Chateau which has been the subject of many books since the 1970's.
This book is the product of new and original research and illustrates the facts that the seekers of ancient truth will not be able to disregard. In the future, it will probably be considered to be the source book for those who wish to understand the ways out ancient ancestors regarded the heavens.
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