This edition comes with no CD. You must purchase either the associated CD separately or digitally download the CD from an on-line vendor. Otherwise this book is exactly the same as the book/CD edition. KEY NOTE RECOGNITION is part of a series of ear training books designed to help the student develop better relative pitch. This book and separately available CD addresses hearing one specific note against all keys, allowing the student to identify key modulations when they occur. Recommended for use prior to "Ear Training Two Note Method".Recommended prerequisite to this book: "Ear Training One Note Complete." As mentioned the audio portion of this book is also available in CD and MP3 format. This CD and MP3 audio has the same title as this book. Both formats can be purchased from various on-line vendors. A list of recommended vendors can be found on the muse-eek.com website. This book is a required text for students at New York University and Princeton University and is recommended for beginning through advanced students ages 13 and up.
"synopsis" may belong to another edition of this title.
There is a direct correlation between a student's ability to identify pitches and their musicality. This ear training series presents a method with which I have had great success in improving my students' abilities to identify pitches, and provides a way to take one more step on the journey toward master musicianship. The course of study presented in this book assumes that the reader has intermediate to advanced knowledge of music.
Bruce Arnold (born 1955 in Sioux Falls, South Dakota, USA) is an author, composer, educator and guitarist residing in New York City. His explorations into the applications of 20th century classical theory in contemporary forms such as Rock and Jazz has created a unique compositional and improvisational sound. As a guest artist Arnold has toured Australia, Canada, the Caribbean, Europe, Japan, Mexico, Russia and the United States. His performance and recording activities include work with a wide array of styles. He has played with such diverse musicians as Stuart Hamm, Peter Erskine, Joe Pass, Joe Lovano, Lennie Pickett, Randy Brecker, Stanley Clarke, the Boston Symphony Orchestra and the Absolute Ensemble under the baton of Kristjan Järvi. Bruce Arnold's recording credits include over twenty five CDs and DVDs (on Muse-eek Records, MelBay Recordings, Truefire and other labels), ranging from the standard jazz repertoire to free improvisation to the reinterpretations of classical music with the ensemble Spooky Actions. His compositions are published by Muse Eek Publishing, and MelBay Productions. Mr. Arnold's theoretical works have explored the use of Pitch Class Set Theory within a improvisational setting. He is also written more than 60 music instruction books covering Guitar Pedagogy, Ear Training and Time Studies. He is the director of guitar studies at New York University and Princeton University as well as the creator of the New York University Summer Guitar Intensive He has taught at New England Conservatory of Music, Dartmouth College, Berklee College of Music, New School University, and City College of New York.
"About this title" may belong to another edition of this title.
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