Georgia O'Keeffe (1887-1986) has become one of America's best-known artists. This book, which accompanies an exhibition of the same name, centers on O'Keeffe's efforts to ensure proper conservation of the fragile surfaces of her paintings of bones, flowers, and landscapes. Based on previously unpublished correspondence between O'Keeffe and distinguished conservator Caroline Keck, this catalogue from the Mississippi Museum of Art presents entirely new information about the relationship between O'Keeffe's aesthetic vision and her distinctive handling of paint and pastel.
O'Keeffe's use of color has long been regarded as a source of the great emotional power that animates her abstract renderings of natural forms. But little was known about her techniques, because she surrounded her studio practices with a wall of secrecy. Her correspondence with Keck reveals that she was surprisingly traditional, sometimes making her own color chips and pastel sticks and even at times grinding her own pigments.
The essays in Georgia O'Keeffe: Color and Conservation consider the artist's enduring love of the very substance of color. Through close analysis of paintings and pastels with a continuous history of conservation, the essays document O'Keeffe's and Keck's painstaking efforts to restore damaged art to its original state. The discussion and accompanying illustrations will give readers an expanded understanding of the subtle beauty and diversity of O'Keeffe's painting methods.
"synopsis" may belong to another edition of this title.
René Paul Barilleaux is Curator of Art after 1945 at the McNay Art Museum in San Antonio, Texas, and former Director for Programs at the Mississippi Museum of Art. In 2003, he curated Passionate Observer: Photographs by Eudora Welty at the National Museum of Women in the Arts in Washington, DC.
Sarah Whitaker Peters, who earned her master's in art history from Columbia University and her doctorate from the City University of New York Graduate Center, lives in New York and Jackson Hole, Wyoming. She has contributed essays on O'Keeffe to several journals and books, including Women Artists 1550–1950, by Linda Nochlin and Ann Sutherland Harris, and most recently, to Portraits of American Women.
"About this title" may belong to another edition of this title.
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.
hardcover. Condition: Nearly fine copy. Profusely illustrated (illustrator). 1st. 4to, 167 pp., With essays by Sarah Whitaker Peters, Dale Kronkright & Judith Walsh. Seller Inventory # 079484
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.
hardcover. Condition: Fine copy. Profusely illustrated (illustrator). 1st. 4to, 167 pp., Still shrink-wrapped from the publisher., With essays by Sarah Whitaker Peters, Dale Kronkright & Judith Walsh. Seller Inventory # 116216
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9781887422116
Seller: Antique Emporium, Eau Claire, WI, U.S.A.
Hardcover. Condition: New. No Jacket. 1st Edition. 4to hardcover volume in grey boards with cutout. New in original shrink wrap. Seller Inventory # 3115
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 4132301-n
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9781887422116
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Georgia O'Keeffe (1887-1986) has become one of America's best-known artists. This book, which accompanies an exhibition of the same name, centers on O'Keeffe's efforts to ensure proper conservation of the fragile surfaces of her paintings of bones, flowers, and landscapes. Based on previously unpublished correspondence between O'Keeffe and distinguished conservator Caroline Keck, this catalogue from the Mississippi Museum of Art presents entirely new information about the relationship between O'Keeffe's aesthetic vision and her distinctive handling of paint and pastel. O'Keeffe's use of color has long been regarded as a source of the great emotional power that animates her abstract renderings of natural forms. But, little was known about her techniques, because she surrounded her studio practices with a wall of secrecy. Her correspondence with Keck reveals that she was surprisingly traditional, sometimes making her own color chips and pastel sticks and even at times grinding her own pigments. The essays in "Georgia O'Keeffe: Color and Conservation" consider the artist's enduring love of the very substance of color.Through close analysis of paintings and pastels with a continuous history of conservation, the essays document O'Keeffe's and Keck's painstaking efforts to restore damaged art to its original state. The discussion and accompanying illustrations will give readers an expanded understanding of the subtle beauty and diversity of O'Keeffe's painting methods. Accompanying an exhibition of the same name, this catalogue centers on Georgia O'Keeffe's efforts to ensure proper conservation of the fragile surfaces of her paintings of bones, flowers, and landscapes. It also presents information about the relationship between O'Keeffe's aesthetic vision and her handling of paint and pastel. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781887422116
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 4132301
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Editor(s): Barilleaux, Rene Paul. Num Pages: 168 pages, 57 colour/11 b&w illustrations. BIC Classification: ACX; AFC; AGB; AGC. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 305 x 229 x 19. Weight in Grams: 1252. . 2006. Hardcover. . . . . Seller Inventory # V9781887422116
Quantity: Over 20 available
Seller: Ultramarine Books, Brooklyn, NY, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: No Jacket as issued. First Edition. Jackson: Mississippi Museum of Art, 2006. 167 pages. This is a catalogue built around dozens of letters between the artist and her conservator and about 40 paintings, which are beautifully reproduced on coated paper. If you've ever wondered about color and its changing qualities, or about the wear-and-tear on paintings going on exhibition, or if you'd like an inside look at an artist's own reflection on her methods of applying paint, this is a good choice. A lavish work. First Edition. quarter-cloth w/ paper boards. Fine/No Jacket as Issued. 4to. Exhibition Catalogue. Language: ENG. Seller Inventory # 003418