Barbed wire cuts across more than just property, war and politics. This most vicious tool of control has played a critical role in the modern experience, be it territorial expansion or the settlement of local and international conflicts. However, it has other histories: those constructed through image and text in the arts, media and popular culture. These representations – in painting, photography, poetry, personal memoirs, cartoons, novels, advertisements and film – have never before been critically examined. In this book, Alan Krell investigates the place barbed wire holds in the social imagination. Invented in France in 1860, barbed wire was developed independently in the USA, where it was used to control livestock on the Great Plains, both to ‘keep out’ and ‘keep in’. Promoted as the Ideal Fence, barbed wire’s menacing qualities were soon made manifest. The epithet, ‘The Devil’s Rope’, anticipated its transformation into a tool of war in the late nineteenthth and early twentieth century. Henceforth, it would become synonymous with repression. Barbed wire’s conflicting character makes it an appropriate symbol of modernity, and Krell shows how the use of this symbolism in contemporary art has given barbed wire meanings beyond the historical and political realms.
"synopsis" may belong to another edition of this title.
Alan Krell was recently Associate Professor in Art History at UNSW Art and Design, Sydney. His books include Manet and the Painters of Contemporary Life (1996), The Devil’s Rope: A Cultural History of Barbed Wire (2002) and Burning Issues: Fire in Art and the Social Imagination (2011).
"About this title" may belong to another edition of this title.
Seller: Aspen Book Co., Denver, CO, U.S.A.
Condition: acceptable. It's been through some chapters of life! Expect visible wearâ"creases, notes, highlights, maybe even a splash of water here and there. Perfect for readers who love a book with history. Seller Inventory # PKV.186189144X.A
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Seller Inventory # 186189144X-7-1-13
Seller: Umpqua Books, Roseburg, OR, U.S.A.
Soft cover. Condition: Fine. minimal Wear // Pages are Unmarked, Crisp, and Clean // Spine in excellent Condition. Seller Inventory # OR-2021-Z-26
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 16928320-75
Quantity: 1 available
Seller: GoldBooks, Denver, CO, U.S.A.
Paperback. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 63K78_91_186189144X
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
paperback. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-186189144x
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
Condition: New. New. In shrink wrap. Looks like an interesting title! 1.1. Seller Inventory # Q-186189144X